Historical Transform On The Study Of The Songs Of The South From Western Han To Southern Song Dynasty

The dissertation studied the historical Transform of the songs of the south research FromWestern Han to Southern Song Dynasty, through the analysis of comparison on Chu Ci ZhangJu (The songs of the south Annotated by Wang Yi),Chu Ci Bu Zhu (The songs of the southwith Additional Annotations) and Chu Ci Ji Zhu (The songs of the south with collectedAnnotations by Zhu Xi).The dissertation discussed the theme from five sections, (1) The selection of topic andthe establishment of style: the "quip and advisement" is Wang Yi's the standard of selectingthe paper, he explained the songs of the south adopting the improved the sentences and textsof classics annotating;Hong Xingzu innovated the "complementary note" then explain theWang's particularly;Zhu xi's principle of making choice was emotional connotation,annotation of Righteousness (yi) or Principle (li) and artistic form, added Bian Zheng(discrimination of the songs of the south )for enhancing comment gain and loss, reveal thehierarchical structure with the explanatory note. (2) Concrete text explanatory note includingseveral parts, remark on the different edition, pronunciation translation, words explaining,dialect interpreting and literature quoting. Wang yi exhibited that he paid attention toExegetics of appellations and objects. His explanation inclined to the concrete characteristic;Hong Xingzu displayed that he regarded the detail from referenced citation. He didn't careabout the tedious interpretation. (3) Elucidation to Qu Yuan's thought: Wang Yi figured QuYuan's perfect image of loyal and righteous virtuous official, used the principle of Confucianclassics;Hong Xingzu emphasize Qu Yuan's loyal and moral verve, because he wasimpressed by the times spirit, and he introduced the patriotic evaluation criterion;Frombasically ideals of confusion classics, Zhu Xi not only wrote off Qu Yuan's mutinous spiritand personal independence with strengthening loyalty and desalinating discontent andindignation, but also praised Qu Yuan's loyalty and patriotism and took this character criticsto a maximum altitude of confusion and Daoism that have being patient of. (4) keep an eye onartistic techniques of the songs of the south: Though knew the artistic techniques use of thesongs of the south, Wang yi still made embodiment explanation on metaphor and inspirationand myth fodder based on realism, which partly in reason and others exegesis. Respectiveannotate characteristics and affected reasons. Hong Xingzu had cognizance of certain artistictechnique because of enjoying in myth fodder. Original opinion and profound analysis onartistic techniques such as metaphor and inspiration showed Zhu xi's sensitivity andgroundwork as a litterateur, while as a philosopher, the condemnations and repulsions alsorepresented his bigotry and pedantry. (5), Wang yi set his explanation rely on classicsinfluenced by the inundate Confucian thought in Han dynasty, there out come into seekingrealistic unscramble tendency and simplicity surefooted annotate style. Hong xingzu inspiredby rising culture atmosphere and jeopardy current political situation of Song dynasty, formedthe double characteristics on text annotate that is impersonality details and judge of thinkingvehement. A philosopher as well as litterateur, particular identity made zhu xi post literaturecharacteristic of the songs of south not only follow the Confucianism value standard but alsocut-in the point of literature view.All in all, we can generalize from analysis above that the study of the songs of southstate in Han dynasty and Song dynasty had transformed from external political managementto internal self-examination on the purpose of explain;from emphasize Exegetics toelaborate Righteousness (yi) and Principle (li) on the texts of annotate and from fundamentalof Confucian classics to reflection of literature on investigative visual angle.