Continuance And Transform On Study Of Songs Of The South From Song To Qing Dynasty

Songs of the south in ancient China more or less experienced two studies in transition,a transition is the Han Song,the other is Song Qing,but was following some kind of degree continual in reforming,this study in the Song Qing songs of the south displays especially obviously.This article plans from five aspects of Zhu Xi's Chu Ci Ji Zhu(Songs of the south with collected annotations) and Wang FuZhi's Chu Ci Tong Shi(Songs of the south with pass release) carries on the comparative analysis, inquired into the Study on songs of the south of Song Qing the extension recesive the relations:(1) Table of contents choice and annotation style:Ji Zhu by confucianist classical standard songs of the south,by Bian Zheng(Songs of the south with dialectic) appraises songs of the south,Hou Yu(Songs of the south with after words) supplements it,has formed take the emotion connotation,the sought value,the artistic feature as the standard choices principle;The annotation imitates Shi Ji Zhuan(Poetry anthology biography) the example,"cuts it by righteousness".Tong Shi by Qu Fu as the modle,with a sense of loyalty,remaining influence by the feeling to choose a standard;The annotated text "the sectionalization stands releases","by chief idea".(2) To Qu Yuan thought explaining:Ji Zhu take loyal king and patriotism as theory,king is one,the country is two,thought that Qu Zi "too the doctrine of the mean but may not be moderate for the law",but Qu Fu may increase heavy three cardinal ethical relationships of social order five ancient classics;Tong Shi recognize Qu Zi "absolutely independent of the age-old allegiance to",the country will be one,king will be two,often criticize commonplance king and treacherous minister,will not avoid as taboo for king.(3) To the analysis on the content of Qu Fu:Ji Zhu everywhere take Confucianist righteousness principle as the center,releases by the rulers and the ministers principle of righteousness,to ingredient does not obey rightousness principle willfully standard or deletes overflows;Tong Shi then the Confucian says concurrently with Taoist,uses Taoist pass through Confucian,by means of Confucian with Taoist,that causes the connotation of Qu Fu deep pool cheek to be obviously broad.(4) Annotation characteristic comparison:Ji Zhu according to the old note device for straightening bent wood,but heavy righteousness principle not waste textual criticism,but displays the contempt singularly varied romantic color the tendency;Tong Shi take governs of very practical use as the goal, to Qu Zi's thought emotion again the assurance,displays perceptual characteristic which releases,comments blends.(5) To songs of the south on the art of observation: Ji Zhu as appends take Shi Jing(The Book of Songs),take"fu,bi,xing"(three artistic techniques)as the illustration system;Tong Shi by the rhyme,the meaning relations primarily,discusses by the image basis according to,to Qu Fu on art provides a new understanding.Thus it can be seen,the study songs of the south on Song Qing has been choosing,the note system,to Qu Yuan thought's appraisal,the explanation theory basis,the purpose for the interpretation and the art's observation and so on has had the very big change,but the two also have the relation which clear dintinguish,it is this kind continuously with reforming,promoted the study songs of the south China continue to move forward.