Contemporary New Poetry

In this dissertation the author intends to evoke the focus on the writing of the new poetry history and the related study henceforth through the analysis of the problems in the writing of the new poetry history. The reading and study starts from the new poetry in the contemporary new poetry history and the contemporary literary history in China.It consists of three parts: Introduction, Body and Conclusion. The body contains five chapters. In the introduction, it mainly discusses the possibility of the writing of the contemporary new poetry history and the related problems. It analyses principally the problems of the poetry writing of the contemporaries and the writing of the contemporary poetry history. Meanwhile, it expounds concretely the contemporary new poetry in the historical depiction and studies the dilemma of the writing of the new poetry history in the visual threshold of the subject in the poetry and aesthetics. Finally, it summarizes the local merits and problems of the writing of the contemporary new poetry.Chapter One mainly introduces the change and difference of the writing of the new poetry history in the visual threshold of the rewriting, in which the impact of the historical context and the change of the poetry concept on the writing of the new poetry history. The study starts from the change of the Seventeen Years Poetry, the evaluation of the new folk songs, the period-dividing of the new poetry history and the first edition and the revised edition of the History of Contemporary Chinese New Poetry.Chapter Two mainly studies the problem of the historical materials in the writing of the new poetry history. It summarizes and recalls the study on the historical materials of the new poetry. Meanwhile, it reveals the great pressure resulted from the historical materials in the writing of the new poetry history. It focuses on the features of the historical materials of the Unpublished Poetry in the Great Cultural Revolution and its related problems. Besides, some related historical materials are supplemented and expounds. Furthermore, it is deeply concerned about the bowdlerization, the rewriting and the editions of the new poetry text. It also corrects the errors of the historical materials and the problems of the historical materials in the writing of the poetry history in Hong Kong and Taiwan and restudies the problem of historical materials.Chapter Three reorganizes and expounds some important denomination of the new poetry history. It covers such related denomination as: the Nine Leaves School and the July School, the Resurrection School and Pre-resurrection School, the New Frontier Fortress School and the Western China school, and the Vague Poems, the denomination of generation gap between the Unpublished Secret poems and the history of the new poetry and the confused denomination state of the poetry history after the publication of the poetry magazine"Today".In Chapter Four, in order to reveal the complication and changing characteristic of canonization about writing of the new poetry history, the author analyzes the canonization in the writing of the history of the new poetry and the subjects mainly covers the canonization of Shi Zhi, Mu Dan and Guo Muo-ruo, Guo Xiao-chuan and He Jing-zhi, and the Baiyang Lake School which shifts from the branch to the canon.