On The Relationship Between The Theory And Practice Of The Writing Of China's Novel At The End Of 20～(th) Century

This thesis is composed of introdution,main body and conclusion.The introduction makes researches on the concepts connexted with bacically.On the other hand,ir introduces and analyses the current researdhing situation of the subject.Five chapters consist the main body.The first chapter,On the Characteristics of China's Novels' Writing Theory in the Historic Development,puts these characteristics of diffrernt historic stages in order. The second chapter,The Constuction jr Novels' Theory at the End of 20^th Century,tyies to study and induct the creation theories of china's novel in 1980's.The third chapter, The Development of the Relationship between the Theory and Practice of the Writing of China's Novel at the End of 20^th Century,also puts the varieties in the relationship between them in order macroscopicly.The fourth chapter is The categories of the Novels' Writing Theory and Practice,which studies how to show the variety and complexity of the relationship,and probes into some issues on the effect,ways and limitation of novels' creation practice affected by the novels' writing theory.The last chapteranalyses their complex stuggling and hard entangling,represented by seven typical writers,Wangmeng,Liu Qingbang,Wangshuo,Jia Pingwa,Moyan,Han Shaogong and Wang Anyi.The conclusion, The Future of the Novels' Creation Theory in Picture Age,tries to analyse the difficult position of novels' writing theory in Picture Age,the future of it and how to deal with this difficult position.