The Humanities Spirit And Style Of Song On The Original State

This article needs to study "Song", not like the former same, studying "Three Song Poetry" as the core in the poetry history research or the correlation knowledge research. But it must took "Song" as one kind "the article class" in the base of the antiquity China civilization evolution. This study respect "Song" as a kind of literature in the cultural complete historical content foundation, and want to reflect "Song's" appearance and transformation in its development time. So, we returns to the original state of "Song", and explain its appearance among the big article class in the history of literature. And through our work, "Song's" unique literature and the literary characteristic style, and "Song's" the unique spiritual status in the China civilization, will have a new understanding, the description and the explanation.This paper divides into three parts: 1st, introduction. We explain the origin, the goal and the main method in this research. 2nd, main body. Altogether seven parts, first engaged in introspection through the commentary method and found original meaning to "Song"; Then elaborated the word ,"Song" ,in antiquity China history of civilization; what's the position for "Song" in three levels "article class" in the historical ecology development; Under the new understanding and the limits, shown composition situation, service condition and appearance characteristic, spiritual moral character on the base of "Song" text at present in pre-Qin dynasty and double Han dynasty ; And discussed the relation between the author group and the literary style form, the function, the creation direction, the style and so on; shown "Song's" style characteristic by "immovability" and "transformation" and the composition direction's diversification and so on; Last part, then proved "Song" as a kind of literature to involve and to display the spirit, 'living to the Dao", that was a the unique humanities in the Pre-Qin dynasty, double Han dynasty. 3rd, conclusion. Explained the conclusion in this research, and it's the value and the significance which has in the modern life.The paper mainly elaborated the content below:First part: study on "Song" text, style class characteristic and methodology reconsidering in the pre-Qin dynasty and double Han dynasty. This part summarizes the way on time by which "Song" were composed, reorganized and researched in the pre-Qin dynasty and double Han dynasty, and proposed on the viewpoint, the way understanding.Second part: "Song's" three levels division standard for "the article class" on the basis of the historical ecology development. This part mainly is the base for all study. It is different to formerly research that began namely to make the literary style classification, this article first attempts the explanation for" Song" in the ontology meaning.We draws the conclusion from the discrimination among "Song" and "Song (诵)", "Rong (容) "Song (讼) " in the initial linguistic environment, that is , the most early meaning of the character "Song" on the basis of the glyph structure is a person who bows the head to lower, and opens the mouth to speak; The original meaning of character is the word expressed respectfully and submissively to some holy object; the word meaning is that the person praises the highest body or ultimate thing. According to this kind of category connotation, "Song" may be clearly understood. So, "Song" refers to one kind of the humanities spirit in Chinese culture. This kind of expression involves the ultimate basis, the ultimate value and the ultimate mood.Since based on this, this article will browse the scope to surpass the idea of "pure literature" since 4th May movement. Then, we respect the real growth history for "Song" in the significance of cultural vision on the basis of anthropology. We will discuss the real "Song" that are accord to the original meaning on the same time the humanities spirit meaning in pre-Qin dynasty and double Han dynasty. Because this kind of new definition and the scope divide, this article will reconsider the idea about style in "Wen Xin Diao Long(文心雕龙)",and oppose to take "Song" as one kind "the literary style". However, we have a new category, that is, three levels of classification": (1) Song class (2) Song style (3) Song category.Third part: "Song's" essence, appearance and humanities spirit in pre-Qin dynasty. This part try to show the "Song's" characteristic on the basis of the literature material collection in pre-Qin dynasty (contains the Qin dynasty). Then, the characteristics of "Song" are "praising ultimate thing", the value judgment based on "the highest body", and the highest ultimate thing's realization in the world. Because of "three Song Poetry "easier to understand, we will emphatically talk about "Song for country in Guan Zi" , "Song for tangerine in Chu Ci" , and "Song" carved in stone in Qin dynasty. And at last there are some conclusion for "Song" in pre-Qin dynasty, that is , tonality accordance, neat sentence, solemnity style ,the clear and plain moral character that sends out the sincere and pleased humanities spirit. And we will explain these "Song's" fundamental function as the source time text.Fourth part: The study for "Song's" idea and classification in pre-Qin dynasty and double Han dynasty (especial for double Han dynasty): The poem Song, the praising Song, the discussion Song, the Ci Song, the Fu Song, the tablet Song. Then, there are some discussion for "Song's" "immovability" and "transformation" and composition diversification."Song's" classification in "three levels of bodies ": (1) has the quite typical literary style characteristic, and named Song, like the poem Song ("Three Song Poetry", Qu Yuan "Song for tangerine ", "Song for Zhao Chongguo " and so on), discussion Song (for example "Pipe Country To Song", Dong Zhongshu "Song for Mountains and rivers in Chun Qiu Fan Lu(春秋繁露)", Wang Bao "Song for enlightened ruler's Virtuous official " and so on), the Ci Song (Cui Yin, " Song for emperor's four patrol " and so on) and so on. (2) conforms to the basic spirit, and displays the corresponding realistic use, but not necessarily named Song, like tablet in Qin dynasty (Tai mountain tablet, carved stone named Zhi Fu, carved stone in east temple and so on), the words of songs for ancestor and God in Han dynasty ("An Shi fang Songs", "West holy horse songs") and so on. (3) "the dual naming", or does not named Song, but actually is, like "Fu Song" ("Song for Dong Xiao" and so on), "Bei Ming" (Ban Gu "Bei Ming for Great-great grandfather in Si River Pavilion "); Or does not named but in which contains the combination text (to refer to the text which have two kind or above literary style) , like the tablet Song (Cai Yong "Guan Wu emperor's Tablet in Ji Yang Palace " and so on), the Song for biography (Liu Xiang " Integrity woman's Biography" and so on), the article Song (Sima Xiangru like "article for Ancient rite of making sacrifices to the God ") and so on. (4) "Song" named, but the spiritual direction and realistic use are just opposite to praising spirit, like Ma Rong "Guang Cheng Song", Liu Ling "Liquor Song" and so on. Among them, we will elaborate the corresponding era, the cultural context, the author, the subject, the theory for "Song"; and some relation among Song", "the tablet, Fu" and so on.Then, there is some conclusion (1) "Song's" immovability, that is, the character and the appearance condition is passes through from pre-Qin dynasty. Most representatively example are "the poem Song". (2) Transformation's the reason. (3) " Song's" diverse composition direction and its the origin reason in Han dynasty.Fifth part: The elaboration for typical Han "Song" that have several kinds of shapes. Such as, Dong Zhongshu ,"Song for mountains and rivers ", Cui Yin, " Song for emperor's four patrol", Cai Yong, "Song for Hu Guang and Huang Qiong". And we elaborate relations between "Song" and other close literary styles.Sixth part: "Song's" author group had distinctive quality. Then, there is the separation between the literary style function and the literary style form, so is the literary style which brings "reverse uses". "Song's" author group can be divided into the direct ruler and "the dominant assistant official". These authors' difference in statuses, the region, the era, the mutual position to authority core, the cultural accomplishment, the value idea, the composition goal and so on, has caused style change from the pre-Qin dynasty to the end of the Eastern Han Dynasty: "Song's" literary style gradually extended; The literary style form and the function gradually striped; The status of author and the praised body gradually gone down; Even there were "reverse uses" in the literary style.Seventh part: Living to the Dao is the literature spirit in pre-Qin dynasty to double Han dynasty. We define several foundational theories categories: "Literature", "humanities spirit", "Dao" and so on. Then, we draw the conclusion on the basis of materials above:The ancient "Song category" was the literary style in artistic origin time. Its core writing glyph may trace the writing creation stage which the ancient civilization originates; "Song's" document that recorded oral legend, began in ancient myth history time. "Song's" mental spirit has the characteristic, such as prototype and unique religion, in early human era. In the early time of Han culture, "Song" is highest basis for the Chinese ancestor linking up the God, and for the introspection for themselves; Its expression is always related with the ultimate significance and the ultimate value; Its humanities spirit is the Chinese civilization's most unique and basic spirit: "living to the Dao".