Font Size: a A A

Manification Of Humanities Spirit In Chinese Oil Painting In The Near 20 Years

Posted on:2008-10-31Degree:MasterType:Thesis
Country:ChinaCandidate:M L LiFull Text:PDF
GTID:2155360215454901Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
In the recent 20 years, the Chinese oil painting follows the reformand open policy step gradually to grow, now basically has completedthe study introduction initial stage, has established the Chinese oil painting foundation engineering, has formed the Chinese oil paintingmany Yuan supplementary art pattern, now basically has completed thestudy introduction initial stage, has established the Chinese oilpainting foundation engineering, has formed the Chinese oil paintingmany Yuan supplementary art pattern ", the Chinese oil paintingobtains the achievement is worth firmly, The aspect which after themodern art, modern art, and even under the contemporary art impactnear for 20 year Chinese oil painting presents which but also has thescholar facing disorderly numerously assumes under, (in the west whichharbored ulterior motives presses to unfold so-called "is lucky"Chinese present age artist in particular which person planned producesas well as they ' trash ' work) proposed the anxiety and the ponder. Certainly, after certain has the modern characteristic literaryarts to putrefy the human inheritance including the oil painting art,floats to the form, the content is empty, avoids the mentalconnotation. But the image, the image, the ghost, the image, thephysical image five big language families formation enables the oilpainter, the theoretician, the critics the series 11 constant oilpaintings criticisms standard. In fact 20th century finally 20 yearChina oil painting art production and in China's politics, theeconomical and the social domain whole transformation has the closerelation. If we hoped through the oil painting language originality, rich knewthis historical period oil painting art, the result very is possibleis misses the point. Because, the realistic China's politics, theeconomy, and in the social domain transformation always in reminds usby the different way, seeks the Chinese oil painting art developmentthe intrinsic power and the essence diligently should not not beimpossible to limit to "the visual way" in scope. Already became tothe artistic intrinsic spirit essence pursue take the Yin doublehappiness, Yu Hong and so on as representative's one group ofscholars' intense appeals."Humanist - with the myriad things harmony, the beauty gathers a -esthetic education enlightenment" constituted together take the Chinatraditional culture as the gene "the humanities spirit" the corecontent, also is "the Book of Change Ancient divination symbolCommentary on the diagrams of the yi jing" center mentions "theperson, stops,". "The person" is a main body; "Melts" is one idealmethod method; "Stops" is one kind of ideal condition. Only has thejustice, each its minute, appropriatelies, can achieve "stops" thecondition, the beauty can gather one, also can achieve the person andthe natural myriad things are harmonious, the world inevitably can thechemical combination. But this kind harmonious "stops" the pursue, inevitably needs theesthetic education "" time, but melts nurtures can manifest nature ofthe person, can manifest nature of the world nature, promotes theperson and the nature merges into one organic whole, promotes thebeauty to gather one. The drawing took a disciple article disciplineis the concentrated expression humanity civilized achievementknowledge and education system, it pays great attention to the humanspirit value the performance, is one kind of unique cultural spirit, flower of the human wisdom, is the humanities spirit carrier,is the humanity unique, is, is the humanity throughout historyinalienable organic constituent which the manner exists, it always isoccupying the first status in humanity's generation multiplicationinheritance. The 80's are need to the fervor and the ideal time, to transform withthe reconstruction enthusiasm, "85 fine arts movements each artisticcommunity and artistic phenomenon, not only have reflected artist'sfervor and the ideal, simultaneously also testimony" humanism "spiritin 80's manifesting. The 90's looked from the phenomenon that, theChinese oil painter's creation is free, the painter individual idealand the pursue can be able to realize, although this kind of pursuedirectivity is not is clear about very much, but "the humanism" thespirit is move forward. But this time people "do to the strength" the summon, gives scoldingthe spiritual flaw, has its truth and the reason, but "the flaw" isnot a mainstream, does not affect the tendency which the Chinese oilpainting whole faces forward to develop. In oil painting "humanitiesspirit" draining in many scholars looked like is fact which does notstruggle, but the Chinese oil painting whole development situationlooked after the 80's, the new century, in the Chinese oil painting"the humanities spirit" has been the existence since in particular,also occupies the rise stage.
Keywords/Search Tags:Chinese oil painting, traditional culture, humanities spirit
PDF Full Text Request
Related items