Reason And Intuition

The comparison between Chinese art and German art in this article is on the background of the corresponding history and culture.By comparing the relative points offered,we explosure their source,by learning the origin root.We strongthen and reinforce the content which we are comparing. First of all,start with exlosuring the the original shape of the imago sculpt,we open the curtain of the text.In the ancient Chinese and western rock paintings of the original cave murals one to two million years ago,our ancestors sketche,express the imago sculpt's intuitive by simple,rough and concise smear.In the large corn field of Ningxia mountain place,the ancient rock paintings of Ningxia Helan Moutain,and "the Altamira cave murals" in Spain,"La sike cave murals"'modeling,near Diniya of southern France,all response the image sculpt's common characteristics.Ancient rock paintings tend to be formed into "brief and symbolization ".In the way of " single line and ping tu "(only a faint sense of the Yunran),they are almost in a similar form.The silk painting in the warring period has already show the clues of the images performance.Images of the Han and Jin Dynasties period that in the form of murals,sculptures and portraits of brick,stone portraits have formed a common pattern.In the first chapter of the paper,we will talk about the culture atmosphere of image expression in general,then we will also discuss the early Dunhuang frescoes.Focusing on the situation when the Western Regions was introduced into China when Beiliang and Beiwei,we explosure how the changed image sculptrures can be digested in Dunhuang.In the middle of Beiwei,we can see the double posture of the Hanjin image sculture art gradually formed clearly.This is matting for learning about the image sculture and the image expressing scultrue,in one word,it's a link between past and future role.This article is formed by two elements which form the main targets of comparison,and the aesthetic dimension from the sense shows they are different."Synergy" means that they all belong to the image of performance,which are deep in their hearts to play the realm of art realm,in the form of a visual expression of the strongly exaggerated deformation,stressing that "subjective" and "internal needs"."Different" lies in the expression,aesthetic tastes,including tools,materials and so on.Of course,the content and style are different furtherly,and the screen reflected clearly the different regions,different ethnic categories of native culture mentality.The point of balance we compare is often purported in contrast.For example, as to the concept of space,the Chinese have their own perspective that the Chinese side to understand the perspective which is scattered point,while the West is by focusing.Chinese way tends to be plane,while the West is in a bulk way.In fact, the original sense of space which embodied in the German Expressionist painting in also blurred,and most artists of them also used the plane mode,some strongly weaken the sense of light and return to the inherent qualities of the film.Imagery with the performance of ancient Chinese and the German Expressionism of comparison are rich in content.The paper takes representative artists and representative works of them to be the main line,targeted analysis of the work,to find the reason with the read of the specific works.This will help to avoid the empty theory,and give some support for the content. We use methods of classification.For example,brief,abstract, freehand,on-line forms and different types of analysis were carried out.Ancient Chinese regards to Liangkai of the Southern Song Dynasty as the center,《Po Mo Xian Ren》as the focus.At the same time,we also have a discuss of Guan Xiu, Shi Ke,Fa Chang,Gong Kai,Chen Laolian,Huang Shen,such as the Five Dynasties period from the Ming and Qing Dynasties painter's works and artistic style.Even Xu Wei and Ba Dashanren who have an impact on the performance of Flowers and Birds Painting have been involved,to enrich the content we are comparing.About the German Expressionism,we take Munch, Kandinsky to study about,and "The Scream" as the focus to start our discussion and analysis.And take Qiaoshe and Qingqishi as a group to have a discuss.The study involves many sectors,numbers of artists,as well as the artists who have a direct impact on the formation of the expressionism have been included.For instance,Cezanne known as the father of modern art,Gauguin,Van Gogh and Leidong, Chamorro,Chavannes who is a typical representative of the symbolism art.The paper also highlighted the representative works of the influential painters,such as Kirchner,Nolde,Klee,Beckmann, Klimt,Schiller and so on,whose painting has a brilliance personality and a strong performance of Germany style.This article focus on the overall structure of uniformity. While grasping the main line of research,some details have been displayed at the same time.It is worth mentioning that,in theory,the use and allocation of the picture have been put closely as possible to the requirements of the theme.We try our best to make the theory we have used appropriate and persuasive.The way we use to do the research is comparison: converge,cross,differentiation,to make the problem which surround or contrary with each other more clear.In the framework of methodology,we seek to a clear orientation,the prominent theme,a clear difference of trunk and minor level, mutual accessibility,mutual infiltration,to constitute the overall character and style.