Being In A Live And Flexible Scene Of Literature

Literature periodicals constitute a live and flexible scene of literature because it is continuous in time and miscellaneous in space; so we can see the complications of literature's history and its existing condition when we study the periodicals. From this point of view, this paper explores how and why the "Taiwan, Hong Kong and overseas Chinese literature" are transmitted and constructed in the literature periodicals of mainland, and has challenged the changeless imagination about the communication of "Taiwan, Hong Kong and overseas Chinese literature" in the mainland.First, this paper includes a historical and current study of "Taiwan, Hong Kong and overseas Chinese literature" communicated in the literature periodicals of mainland, See longitudinally, whose development from the end of 1970's to the beginning of 21 century is divided generally into 4 stages: "window period" , "summit period" , "transformational period" and "integrated period" . Meanwhile the unitary feeling of "Taiwan, Hong Kong and overseas Chinese literature" also involves a development process of ambiguity, highlight, differentiation and disappearance. See breadthwise, firstly, because different literature periodicals have different readers, there are three basic kinds of transmitting mode—Academic mode, pure literature mode and popular mode—in the literature periodicals. Secondly, because there is difference on combined modes of "geographical consciousness" , "Chinese consciousness" and "international consciousness" in the literature periodicals, there stand three different structure modes of "Taiwan, Hong Kong and overseas Chinese literature" , namely, preferential type, equal type and ambiguous type. Based on the diversity of structural mode and value of "Hong Kong, Taiwan and overseas Chinese literature" in literature periodicals of mainland, we deny the view that it is always an outcome of politics in mainland.Second, this paper discusses how the subjectivity of literature periodicals has been presented during the communication of "Hong Kong, Taiwan and overseas Chinese literature" . The first way is that the chosen texts have been reconstructed in the literature periodicals through the special language (such as column and form) and given new meaning and value, so that they can become a harmonious ingredient of the periodicals. Secondly, having been placed in a point where various angles and forces are gathered together, the given periodicals always coordinate with different factors and look for the crevice and identity of these factors to realize the characteristic communication. Therefore, if we neglect to study the specific medium and only see the general situation about the communication of "Taiwan, Hong Kong and overseas Chinese literature" in mainland, our study would be sweeping and unilateral inevitably.Third, the influence of literature periodicals' activities on communicating "Taiwan, Hong Kong and overseas Chinese literature" and "Chinese literature" is discussed in this paper. A live scene of literature originating from the mutual influence and penetration of different texts presents and promotes the integrated process of different literatures. Therefore, the integration of Chinese literature in different regions and countries is also promoted through the communication of "Taiwan, Hong Kong and overseas Chinese literature" in literature periodicals, which is helpful to build the integrated views on literature. The concept " Taiwan, Hong Kong and overseas Chinese literature" named after the regions and countries would be replaced by some integrated concept such as "Chinese literature all over the world" , "Chinese literature" , "HuaWen literature" , and "ZhongWen literature" etc with the deep exchanges on literature.