On Liang Zongdai's Ideas On Aesthetics

Liang Zongdai is a very important symbolism poetics critic in mordern china,but his ideas on aesthetics has not taken seriously by academic circle until now.This dissertation try to reveal the particularity and historical situation of Liang Zongdai's ideas on aesthetics by comparation with mordern asthetician in the cultural environment in the first part of the 20th century.This dissertation try to study Liang Zongdai's works seriously.at the same time,try to inspect the academic direction of chinese aesthetics in the first part of the 20th century in which the historical situation of Liang Zongdai's ideas on aesthetics will be judged.The debate between science and metaphysics lead to the different chioce on academic between different mordern scholars.Scientific method which emphasized experience and evidence focused on the real world;but the philosophical method which emphasized the ontology world focused on reason and intuition.This dissertation will study Liang Zongdai's academic chioce and philosophical characteristic of his ideas on aesthetics.In this research,the culture method is the main method of the dissertation.The dissetation try to display the chioce in culture of Liang Zongdai's ideas on aesthetics.Furthermore, the dissertation also use phenomenology and hermenentik.In the process of demonstration, the studies of influence and comparison are also be used.The former is used to find Liang Zongdai's theoreical sources, the later is used to display his theorical characteristic.The disseration consists of three parts.The first part is preface which analysize the important meaning,the current research situation, research methods of Liang Zongdai's ideas on aesthetics.The second part is divided into five chapters, which is the main part of the paper.The first chapter focuses on the cultural personality and academic thought of Liang Zongdai.This chapter reveals the many dimensions of Liang Zongdai's life.In addition,there is an analysis of his scientific thought and philosophy. This article attempts to study how the two aspects impact on the aesthetic ideology of Liang Zongdai.The second chapter discusses universe ontological philosophy and aesthetic conception theory of Liang Zongdai.This chapter first inspect the Liang Zongdai's aesthetic characteristics of the philosophical.Futhermore, it reveals the difference of theory between his and the modern philosophers'ideas on aesthetics by comparing.The third chapter focuses on the aesthetic feeling theory of Liang Zongdai, it reveals its theory philosophical characteristics. This chapter tries to reveal the modern feature of his theory by comparing the philosophy characteristics of Liang Zongdai's aesthetic theory with the modern philosophy.The forth chapter mainly discusses Liang Zongdai's aesthetics ideas on leterature and fine art. This chapter includes three aspects: Analysis of Pure Poetry reveals the aesthetic taste change from the pursuit of"feeling first''to the pursuit of"reason first"in the modern poetry field.The analysis of poetry style tries to illustrate Liang Zongdai's poetic style is a"meaningful style";the analysis of artic aesthetic theory emphasizes on the sublime aesthetic style of Liang Zongdai's"intelligent strength"and the practical aesthetic meaning of"spirit vivid".The fifth chapter emphasizes on the logical characteristic and aesthetic characteristic in Liang Zongdai's literary and art criticism.The dissertation analysizes the logical characteristic of Liang Zongdai's cirtic by the former,the aesthetic experience characteristic by the later.The sixth chapter is the conclution of the contribution,limitation and current inspiration of Liang Zongdai's ideas on aesthetics.The last part is the conclution of the whole dissertion in which the current situation of chinese contemporary aesthetics is reflected though Liang Zongdai's ideas on ahethetics.