On The "Sixth Generation" Film-making

Movie film is a type of medium of general public culture;is a type of synthesizedarts of exemplifying the entire culture.In other words,it is a mirror that reflects thereality,Movie films already have 100 years of history since it entered in China.Inthese 100 years,it had huge influence to Chinese people's life and developed rapidlyuntil now.In 20^th century early 90's,regarding to"The Fifth Generation"the movie reflectsthe reality of understanding and criticizes the character of commercial at the sametime.It newly develops to"The Sixth Generation"where young directors bring aboutthe new possibility to Chinese movie's development.They utilize movies to reflect thesociety's certain realistic situations of China's present age;utilize reality techniques toillustrate the edge of person's care and compassion."The Sixth Generation"refers to people who were born during 60's.The younggeneration of movie film people who were graduated from the University during theperiod between mid 80's to early 90's and began the film activities,they haveexperienced the Tiananmen Square incident,the commercial culture,the politicalphilosophy as of the social trend,individual life experiences and great interest on thepsychological state of uncertainty.The representative people are Zhang Yuan,WangShao Shuai,Lou Ye,Jia Zhang Ke,Lu Xue Zhang,Wang Chao,Wang Quan An,etc.Before the description of the"The Sixth Generation"directors,it is necessary tounderstand what they appeared during the 1990's social and cultural context.Duringthis period China had a huge tide of globalization in the political,social,economicand cultural aspects,thus obtaining large amounts of experiences.Such a change onthe film industry brought a great impact.1990's society simultaneously changed themovie by influencing language;aspects of narration style in capital pattern alsobrought a big change."The Sixth Generation"directors desire to express matters that are self experiencedor facts that have seen with their own eyes,for their movie contents to be very realand honest.The movies that they have reflected are the real contemporary Chinesesociety."The Sixth Generation"directors,through the present China city's socialconflicts and interpersonal relationships,have identified the occurrence of entangle,as a result it carried out the criticism.Because of rapid d evelopment incommercialization and globalization created a new value,which they in the film bydescribing the traditional rules and ethics embody entangled between the outlooks ofChina."The Sixth Generation"director works with the narrative strategy wasrequested by the audience still having a certain distance.They will be implemented inthe pursuit of style,but also paying attention to what are the elements of life.Becauseof this kind of experience,the works were able to have real and natural characteristics."The Fifth Generation"movies were more formally introduced about China tointernational community."The Sixth Generation"movies also made people aware ofthe existence of a genuine sign of China,and truly let people in province to theexisting problems in China.Speaking up from this factor,to study China's"The SixthGeneration"movie is the understanding of contemporary Chinese society,a moreobjective and rational approach.Therefore,to point out that more and more frequentcultural exchange between China and South Korea is very significant.First,the introduction partⅠhave analyzed from movie's theme,the subject and thenarrative strategy all three aspects for"The Sixth Generation"movie directors'research on present situation.Moreover,the introduction about present researches ofSouth Korean"The Sixth Generation"movie directors.Chapter one is the type and the style of"The Sixth Generation".In this chapterⅠwill state"The Sixth Generation"movie directors' origin type and their uniqueindividuality style.This chapter's section one is about the division of Chinese moviedirectors.This sectionⅠwill simply state about hundred years old China's moviehistory and Chinese movie directors' division characteristic.Section two is social andculture contexts on which"The Sixth Generation"directors formed.This sectionⅠwill talk about the 90s under the complex social and culture contexts lay"The SixthGeneration"directors' individual grow up background,their creation method ofindividual style and uniqueness they puts on the movie.Section three is"The FifthGeneration","The Sixth Generation"directors' comparing the differences.ThissectionⅠwill state the 90's complexity of social and cultural contexts,in"The FifthGeneration"the impact and breaks through forming"The Sixth Generation"directors,furthermore,the analysis between"The Fifth Generation"and"The Sixth Generation"directors' characteristics and the differences.Chapter two is"The Sixth Generation"directors' movie aesthetic characteristics,this chapterⅠwill state"The Sixth Generation"directors' movie aesthetic characteristic in separate four aspects.Section one is the life experience return to original state.ThissectionⅠwill talk about expressing oneself feeling to the life or the experiencedviewpoint"The Sixth Generation"directors' movie aesthetic characteristics.Sectiontwo is intense influence aesthetics awareness.This sectionⅠwill talk about how"TheSixth Generation"directors influence aesthetic awareness and how their workinfluence aesthetic awareness.Section three is the change into the edge perspective."The Sixth Generation"directors' films' characters are all"edge person"or smallcharacters in daily life.This section will talk about in films"The Sixth Generation"directors' usage of"recording style"emerging present world,the existence state ofcharacters in films.Section four is fragment writing in narrative method."The SixthGeneration"directors' films' whole entity narrative feels not strong,there areso-called introduction,development,climax,the ending plot structure and the conflictmovement.From four aspects,Ⅰwill talk about"The Sixth Generation"directors'movie aesthetic characteristics.Chapter three is the analysis of"The Sixth Generation"directors' main work.Thischapter,Ⅰwill analyze"The Sixth Generation"main directors and their main scenicspot characteristics.Section one is the modernity cultural interpretation andexplanation--Lou Ye's works.This sectionⅠwill explain the performance accordingto after modernity culture characteristic work〈SuZhouHe〉,as well as"The SixthGeneration"representative director Lou Ye's other work analysis.Section two is toreflect the city edge person's survival condition--Wang Shao Shuai's work.Thissection will analyze the reflection of present city youth's life current situation,representative work on focusing edge person's survival condition〈ShiQiSuiDeDanChe〉until〈ZuoYou〉.In addition,I will analyze"The SixthGeneration"representative director Wang Shao Shuai's movie creation process andthe main work.Section three is from the underground to the upper ground--JiaZhang Ke's work.This sectionⅠwill state"The Sixth Generation"representativedirector Jia Zhang Ke's"hometown trilogy"〈XiaoWu〉,〈ZhanTai〉,〈RenXiaoYao〉,and besides will explain Jia Zhang Ke's movies that are unique style and also hisrepresentative work analysis.Section four is"The Sixth Generation"other importantdirectors and works.This sectionⅠwill talk about from the beginning of the 90'sZhang Yuan,Hu Xue Yang,Wang Quan An,Lu Xue Zhang,Zhang Chang,and soforth representatives"The Sixth Generation"directors' main work analysisChapter four is"The Sixth Generation"directors'creation trend.This chapterⅠ will state"The Sixth Generation"directors'change in work creation--from the 90'suntil the present,and current"The Sixth Generation"directors' predicament and breakout of the encirclement.Section one is"The Sixth Generation"directors' change inwork creation--from the start of 90's until the present.This sectionⅠwill talk about,from the start of 90's"The Sixth Generation"directors' work until now"The SixthGeneration"directors' change in work creation.Section two is"The SixthGeneration"directors' predicament and break out of the encirclement.This sectionⅠwill state how"The Sixth Generation"directors' predicament and insufficient part,and how they break out of the encirclement under current predicament."The Sixth Generation"until today has not appeared defeat on previousgeneration's work,a success generation certainly is the art revolution to the previousgeneration,and it is a successful revolution,plus it is a change in age range.For theupcoming movies' anticipation and great possibility on movie itself,we all have thereason to ask for advanced request to The Sixth Generation of movie people,ourmovies should have the enormous multiplicity and complexity,and this multiplicityand complexity will be use by the artists' fine prestige sense energy.Nowadays whatour movie have run into is not the technical problem,also is not the story that cameout from after watching no movies ruminate,but by directly facing the condition oflife,what their movie obtains is not the attractive light,but it is the soul factor.Veryregulated,very common,how is the life of the representative Chinese ordinary people?Their living condition,their hope,what are they seeking? Attention to this point,alsoshould pay attention to China's future;this kind of attention has very big significance.The present thesis is a research about"The Sixth Generation"directors and moviecreation;is about"The Sixth Generation"background and research about thedifference with"The Fifth Generation";is about"The Sixth Generation"movies'aesthetic characteristic research,through the representative directors' representativeworks analysis.Expounded"The Sixth Generation"movie that wants to expressChina's demonstration,also stated about"The Sixth Generation"directors' realdifficulties and the solution methods.