Deconstruction Of Great Narrationand Restoration Of Personal Emotion

As the contemporary Chinese film director "genius" director of the Guan Hu,from his creation of the first film "hairs" has shown its different from other directors of the generations with narrative strategy and multidimensional image concept.As a member of China's sixth-generation director group who started late but grew up,Guan Hu director has both the general characteristics of the sixth generation of directors,and not limited to its commonality,the use of unique audio-visual language and bold.The experimental exploration,the sword go Pianfeng,and gradually formed a set with a strong personal mark of the aesthetic style and narrative strategy.In the deconstruction of the fifth generation of great narrative to express themselves,and to a restrained,introverted and highly personal style of perspective to show his unique pursuit of personal art.In his film world,the youth sentimental but not confused,the edge of the character's survival is difficult but optimistic about the sun,through the subtle character of the subtle description,Guan Hu film infiltration of a strong humanitarian care and simple life experience.This paper divides the creation of Guan Hu's director into three periods,and selects the representative works in the three periods to carry on the deep analysis,elaborates the unique creative thoughts and aesthetic thoughts of Guan Hu's director,and shows it in the sixth generation director is unique.This paper will also try to explore the relationship between the general and the particularity of Guan Hu and the sixth generation of Chinese directors,with the guidance of the sixth generation film director of China as the narrative background,The author's creative ideas bring some reference.The main body of this article is divided into four parts:The first chapter of the Guan Hu and the sixth generation of Chinese film.This chapter is divided into three sections: the first section of the first Chinese film "generation" of the origin and the existence of the controversy were discussed,and then why this selection of "sixth generation" rather than other intergenerational division named.The second section from the strong penetration of national consciousness to the rise of personal consciousness of rebellion,to see how the sixth generation of directors in the fifth generation of the inheritance of the inheritance.The third section leads to the Guan Hu director in the sixth the director of the unique.The second chapter shows the artistic expression of Guan Hu film.This chapter mainly on the director of the works of Guan Hu conducted a detailed analysis,care of how the director is unique.According to the overall style of the work presented by the director of the Guan Hu director is divided into three periods,and selected the three periods of representative works to focus on the analysis: the first section is the director of the early Guan Hu director induction"hairs"(1992),the expression of the survival of urban outsiders desire to "go on the train"(2000)and the inability to fight the fate of women described the "Xi Shi Eye"(2002),the main choice of the performance of the confusion of the "hair chaos"),The main performance of the bottom of the community for the edge of the attention and personalization of the characters;the second section of the tiger director selected a significant creative continuity of the three works "cow"(2009)"Design of Death"(2012)"Cook opera ruffian "(2013),the use of the bizarre bizarre expression techniques and the sword to go Pianfeng artistic expression forms constitute the image of the carnival" trilogy ";the third section is mainly on the director of the tiger in recent years,the box office reputation double harvest" old gun(2015)conducted an analysis,the artistic expression and commercial appeal perfect fusion of masterpiece.The third chapter of the Guan Hu film and the sixth director of China's future.This chapter is divided into two sections: the first section mainly describes the survival dilemma of the sixth generation of filmmakers,from the taboo of "outside the system" to the "inside the system" of the monologue,this generation of film people's growth path Hardship;the second section for the survival of the plight of trying to give the future direction of development,that is,how to better walk in the arts,business and the gap between the system.In addition,according to the director of the tiger director to explore the attempt to create for the Chinese film "stand,live,stay live" character boutique.The conclusion part of the full view of the summary of the summary of the pursuit of fine character is the pursuit of the future director of the tiger director to continue to do things,it should be into the middle-aged sixthgeneration director should be the collective effort to the direction,Expect them to create more exciting world of light and shadow.