The Study Of The Art To Mo Used In Chinese Calligraphy Inditing

During the history of calligraphy,ancient artists expatiated a lot about thefunction of calligraphy,the skill of using brush pen,the spirit of art and the rules ofappreciate calligraphy.Brush pen and Mo are connected as one.Artist emphasized theskill of using brush pen,the overall arrangement of works and the expression ofemotion.And at the same time,they paid much attention to the use of Mo.Especiallyafter the Yuan Dynasty,artists tried to use Mo to express aura of their own works.But artists' experimentation didn't promote to the level of theoretical study.So thethesis studied the Mo from practical aspect and theoretical aspect to revert the historyof Mo's transformation.As far as theoretical aspect concerned,the thesis focused on ancient artists'description with gnosis.It was a window for us to find the art of Mo and the pointview of Mo of ancient times.Through combing the history,we found that ancientartists lacked systematicness during studying the art of Mo.And this kind of studyignored the background of culture and history.Out of different position andviewpoint,different artist had different opinion.This made the phenomena as follows:the concept of Mo is versatile and incompatible.Furthermore,the theory of Mo hadgap with the practical use of Mo.In order to find the truth of the skill of using Mo ofancient artists,the author discovered original editions collected by importantmuseums of China to reveal that the big gap between theoretical level and practicallevel,especially in the Ming and Qing Dynasty.Through validating,we found that theform of MO can be classed in category of theory and practice.But the practical skill of Mo's form is not versatile,so its value is comparativelylow.Logically,the abundant form of art of Mo focuses on the category of aesthetics.The object of Mo focuses on art of Mo.This kind of taste was based on Zhonghe skillof Mo.Along with the change of concept and sensibility,it divided into Zhonghe,Moqu and Zonghe skill of Mo.Zonghe skill of Mo was the climax of chinese skill ofMo.Different kinds of skill took on a harmonious look after the appearance ofZonghe Skill of Mo.WangDuo and LinSanZhi,who was the important character ofZonghe skill of Mo,led us into a wonderful world of six color.The study provided astandard to class the form of skill of Mo.It revealed how different kinds of skill ofMo came into being.At the same time,it helped us to understand the inner connectionof each other.In the last part,the thesis discussed about mutual relationship among skill of Mo,writing tools and external factors.So through combing,classing and analyzing the skill of Mo,the thesis tried itbest to provide theoretical support to calligraphy,especially to the practice of skill ofMo.It also can widen and renew the view of language use of calligraphy.