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The Study Of Non-realistically Fiction In The Late Qing Dynasty

Posted on:2008-07-08Degree:DoctorType:Dissertation
Country:ChinaCandidate:G FengFull Text:PDF
GTID:1115360278966586Subject:Chinese Modern and Contemporary Literature
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This thesis concern with the up and down of realistically writing fiction in the beginning of 20's century, which corresponds to the non-realistically writing fiction. The new fiction following the rising of social crisis uses a large number of traditional rules of non-realistically writing narration to express the instant desire of making our nation prosperous, and forms many imagination and imago. Author adapts from "Utopia" imago to discuss the ideal world based on western society, using "Disease" imago to perceptive the mentors' nation saving thought, using "flying vehicle" to represent the scientific idea of countrymen, using "female hero" to discover the power of changing the society. Explore the transformation of the traditional character of the fiction in the late Qing Dynasty in the process of modernizing character. Concern the reason of non-realistically writing fiction's booming in this period and the unique imagination character. Observe the evolution of traditional fiction from its follow up. Discuss stressly the usage of the narration method "Parody" in this kind of fiction.When we survey again ,from the view of Chinese fiction's traditional rules, the occurrence of Chinese modern fiction at the beginning of this century, we find that before the mode of new culture realistically writing fiction become mature, many fictions produced in traditional conception show the clear characteristic of non-realistically writing, use queer fiction to describe the future dream of weak and poor china, or use detective fiction to popularize the scientific knowledge, or use ghost and god to seek for super power. All are full of abundant imagination, express the surprising, flourishing and mature creativity. Actually ,this kind of research has very important role in opening out the relationship between aesthetics and tradition of the modern fiction, because it present in which aspect ,by what means, under what condition the aesthetics resource of traditional fiction .We can review a series of complicated forms of 20 century's Chinese fiction behind modern historical narration , hackle another development trajectory different from what described by traditional fiction history, let people see clearly the growing up procedure of Chinese modern fiction. Besides, by researching non-realistically writing fiction, we can show how the idea "reality" come into Chinese culture, how the modern culture tradition of realism come into being, refer to this, observe the gain and loss of modern realistically writing fiction. More important, in the study of non-realistically writing fiction, we can understand the unique, abundant vision of Chinese literator, sense their original creativity and taste fascination.On the basis of collecting a large number of information, this thesis is main on close readings, view the fiction of late Qing dynasty's multi-elementary literature history, go into the fiction's internal element, such as language ,scenario, character, rhetoric ,from the view of external study, such as society, politics, culture, aesthetic, economy, education outline basically the profile of fiction production at this time, explore many win and loss of this kind of fiction in the modernization changing. Therefore, the author think that the experience of non-realistically writing fiction in the 20's century represent the up and down law of Chinese fiction's tradition in modern transfer, its literature imagination express the country enrichment idea of intellectual of one generation elites, many unique narrative method express attention of collectivity and realism .Governed by it, fiction's society function replace entertainment function.,...
Keywords/Search Tags:the late Qing dynasty, non-realistically, writing fiction, imagine, imago parody
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