Study On The Style Of Song In Yuan Dynasty

This paper emphasizes on investigating the Song in Yuan Dynasty, mainly discussing its art style, characteristic and its rule.It also regards the Song in Yuan Dynasty as a comprehensive art, placing more emphasis on discussing both of its body structure and music structure, and more comprehensively making the Song in Yuan Dynasty looked more attractive.It consists of two parts:the upper discusses several important problems of style of the Song in Yuan Dynasty. The first paragraph analyzes the importance of its music structure(the combination of music structure with body structure) to the comprehensive investigation of the Song in Yuan Dynasty, even make the purpose and significance of this paper more clear to us. Paragraph two to seven are the bones, mainly probing into the following problems:the sound and feeling of the Song in Yuan Dynasty, the relationship between " Four tone" and music, the criterion of " Melody of combine", distinguish of "Positive word and Superfluous word" and its function on the music, relationship between music rhythm and music opern, the function of "Wu Tou",the "Antithesis style" and characteristic of the Song in Yuan Dynasty.The bottom one discusses the melody and opern of the Song in Yuan Dynasty including the brief introduction of how to decide the "Song Card"; difference between music opern and "Four tone Table"; example of music and "Exegesis", totally four parts. The style of the Song in Yuan Dynasty has been embodied totally by the comparasion of "Four kinds of musical score"(gong chi, Staff, Numbered notation, four tone)...