The Study Of Film Imports With The System Evolution In The New Era

This article focused on 1978-2008 years Chinese films imported for research.This corresponds to 30 years of China's reform and opening-up process, Foreign films from the late Cultural Revolution to buy out a resumption of imports to China, 1994 China Radio Film and Television of China Film Corporation, approved to split the form of import of foreign films that 10 part of the account—"large" strong into China,Until the 21st century to join WTO, according to the principles of international commercial imports to China's foreign split videos mandatory double.30 years, China has to import a 1279 commercial for cinema showing foreign films, films in different stages of the import quantity, quality, theme, country, great changes have taken place in class. This change directly from the system 30 years, the changes in Chinese society, reflected in the film industry including various management policies, operational mechanisms, such as micro-operational level of imports authority reform. Large quantities of foreign films imported to China in different ways, the Chinese film industry and Chinese community also had a profound impact.30 years of combing the list of imported films and film content, based on the body of the paper to start from the following four sections:Chapter 30 for years, imports of Chinese film history, description of the process. That is the way in 30 years China has imported the film, which imported foreign films, the film shows what these imports face.To 30 years of New China's imports of 1279 short film is divided into three stages carding:Include 1978-1993:buy country imported films turn,1994-2000:split film log imports to China,2001-2008:Dividing the number of import surge in the film.Chapter to discuss the import of the film why such changes occur, the paper 30 years from the evolution of China's social system, examine the background of imported films change.After the Cultural Revolution, out of chaos and political context of China's reform and opening up the decision is a political first, the concept of China's film continues the "fight against the enemy, to educate the people," the missionary orientation. In the political context, from the Second World Films and French Film Japanese people and the intelligentsia in China has caused great repercussions. The United States, as the film powers, its imports of film in China effect is not very obvious. Meanwhile, import movies as a barometer of political diplomacy, in China and the Soviet Union, Japan, the cultural diplomacy also played a special political role.90 in-depth market economy caused the formation of China's consumer society. Split the import of foreign films, especially Hollywood movies, with huge capital advantage into Chinese society and then swallowing the Chinese film market. China seeks to maximize the economic benefits and minimal risk as the ideological split the introduction of the principle of the film, but the practice shows that seem to not have both fish and bear's paw, with business interests in Hollywood as the forerunner of the impact of China's domestic film industry for several into a state of near collapse.In order to strengthen the ideological propaganda, the Chinese government once adopted, "the government blood transfusion system" to support the maintenance of domestic film industry is running, but with little success.As China's overall national strength, China's international status changed significantly. China joined the WTO to split the mandatory double the number of imported films, foreign films imported to China has emerged more and more Chinese haracteristics and Chinese elements. Chinese film under the protection of the government's strong, autonomous increase in film imports to China's domestic film market has not completely annihilated. In the context of cultural reform, the Chinese Government to consolidate the civil society, foreign, Hong Kong and Taiwan economic and cultural resources to the development of cultural industry thinking "great movie" concept, launched a counterattack against Hollywood's defense, and in the local market and has achieved stage victory.ChapterⅢ, from the film management system to explore the micro level:China Film Import and import the movie means to stimulate changes in how the management system of China's film industry, so that changes occur in the Predicament. In turn, as the Chinese film industry's management policies, operational mechanisms, such as changes in import competence to bring about a change in imports of Chinese film, and then changed the face of imported films, on the local audience to accept the Pychological and cultural habits of the times had obvious effect.This chapter along the 30-year reform of the context of Chinese films, in three different stages of imported films in China face, status, role, and the Chinese government restrictions on film imports, measures, you can see, the Chinese film administration It is through the film is imported to the Chinese film market, the tremendous economic benefits to the film system was gradually on the right track.ChapterⅣ, the concept of form from the film start to explore the pattern of imports of Chinese Film-depth impact:It is this invisible effects of the Chinese film industry 30 years have drastically changed.This chapter is divided into two sections:SectionⅠdiscusses the import of Chinese Film pattern of imports of Chinese film step by step to break the original film idea film-making body, and subsequently formed the center of the audience for the show schedule, led the audience self-consciousness and challenging the traditional position of the film the official review system, this series of chain reactions and the aftershock effect to the New Chinese Cinema in the pattern of fracture in the ashes of conflict.SectionⅡ, to explore the cultural context of globalization, how to re-integrate into the Chinese film world, and in the process of integration into the world to go and what detours, which have accumulated experience and lessons, which hindered by. As the enhancement of national soft power, an important means of establishing international image, China Film strong support the Chinese government, how Hollywood hegemony in the cultural context of globalization for cultural sovereignty, while maintaining cultural diversity has made What efforts.Finally, a summary of the text, allegorical way that the concept of China's current limitations of the film, while the film industry with Chinese characteristics, follow the parallel development of industry and business wings of the road made constructive comments.This research focuses on positioning the film in film imports rather than imports (or import video), decided to text analysis is not promoted based on the theory of aesthetics, but the import of certain representative film version will introduce a case study vision. From the perspective of political economy of communication, in order to import films for 30 years New research subject, the background of the social macro perspective and micro-film system combines a research background, focusing on a variety of film and community to establish communication relationships. This paper tries to micro-perspective of communication combined with the macro framework of the United States—positivist school of classical communication survey methods, audience analysis theory and North American school of political economy of critical theory. Spread "is not concerned about the political economy is not text, it is that the text should be given more attention, but must put it in a thorough analysis of political economy to examine."Communication with the United States compared to the classical, theoretical framework of Marxism in the West up to develop critical communication research has not only been Zhuchongquanli Wen Ti, and Qiangta's Zheng Zhi put vast economic and social cultural development Zhong to look at. In the political economy of communication, the study is based on the mass media as the core of human behavior and communication activities to the production, distribution, circulation, exchange and political economy of macroeconomic policy-making activities, the idea to observe a particular social and historical conditions spread under the power structure and resource allocation. This tradition spread the outset of a matter of course as a comprehensive interdisciplinary academic behavior, communication theory and social theory called for the combination. In the process, will be 30 years of quantitative import video system used in movie history research, combined with gender analysis, Said's Orientalism, Gramsci's cultural leadership theory and cultural studies and other related industrial economics theories, trying to change 30 years of China's social system and the relationship between the spread of imported films with a legitimate explanation. "Political economy of communication strengths is that it has always stressed the importance of structure, it has been dedicated to describe and analyze the impact of dissemination of commodity production, distribution and exchange structure, and mainly on the state to regulate these structures. Although the political economy not neglect the product itself and the commercialization process, but it still tends to emphasize enterprise and the state system and structure. "Currently no monograph for the new era of specialized imported film studies, while limited by China's cultural security restrictions, no foreign scholars on a study of this element. I collected numerous first-hand information on film imports, based on the evolution of Chinese social system and the movie industry point of view of reform to study film imports, with some innovative and comprehensive.