The Shiliuyi Academic History Study

The concept "Liushi" stemmed from the Pre-Qin Dynasty,"Liuyi" appeared in the Western Han Dynasty. In generally, the "Liushi" is the "Liuyi". Then about name of "Shiliuyi" continues to this day, meanwhile,"Shiliuyi" research has been continued, and the disputes continued. This article through literature methods, studies "Shiliuyi" academic history, reveals its generation, development. The Full text is divided into seven parts.Introduction:"Shiliuyi" research status since twentieth Century, determine the research object of this thesis, scope, focus, research significance and methods.The first chapter of the Pre-Qin Dynasty:"Shiliuyi" budding, which main researches Pre-Qin classics of Feng, Ya, Song, Fu, Bi, Xing. The Pre-Qin books provides a wealth of information on "Shiliuyi", such as "Zhouyi","Zuozhuan","Yili","Lunyu","poem research of ConFucius","Mencius","Xunzi","Zhuangzi","Guiguzi","Shijing", from which we can see the ancient sages like ConFucius, Xunzi and so on, the understanding of these concepts, although their discussion on the concept is shallow, but is also helpful to "Shijing" understanding, while these explanation the "Shijing" is far-reaching influence to Han Dynasty’s. The scholars of The Western Han in the study of "Shijing" on the foundation of The Pre-Qin, put forward the concept of "Liuyi", and appeared two important works of research "Liuyi", one is "Shidaxu", two is "Maozhuang"."Shidaxu" for the first time makes the Feng, Ya, Song specific explanation,"a country’s thing is a man, that is the feng; all things, shaped the Quartet of the feng, that is Ya......Song, beautiful tact described, with its success to the gods." Explanation of Feng, Ya, Song which point to political is the very obvious, and influence is far-reaching." Maozhuang" directly identify Xing, although not makes specific explanation for Xing, but after all, had creative work.The second chapter:"The Eastern Han to Tang Dynasty "Shiliuyi" research development. The Eastern Han Dynasty,"Shiliuyi" study was further developed; complete interpretation of the "Shiliuyi" concept. Zheng Xuan. Following "Shidaxu" views, proposed the Fu, Bi, Xing concept, which point to political is the very obvious, not only that, he also put forward "ZhengBian, beauty thorn" viewpoint. Because of his complete explanation of "Shiliuyi" concept, at that time, and even later on "Shiliuyi" understanding produces far-reaching effect, In addition to Zheng Zhong, Wang Yi, Liu Xi and others scribes "Shiliuyi" explanation, not allow to ignore. From Wei and Jin Dynasties to Sui and Tang Dynasties "Shiliuyi" explanation mainly is Kong Yingda and ChengBoyu, Kong Yingda clearly put forward the "three body three use", despite the absence of take off the Zheng Xuan analogy with features, but explicitly "Shiliuyi" is divided into two parts. It farther deepens Zheng Xuan theory. its influence is far-reaching. Of course he rose that Bi and Xing have good and evil views. Cheng Boyu mainly according to their own understandings of poetry put forward "three qings three uses views. Three bodies three uses evolutes three qings three uses", not just the name change.it reflects on "Shiliuyi" understanding innovation of Cheng Boyu slightly. To promote understanding of Xing pays attention to literature, a "sigh as rhyme chant" and other effects, it has inherited Wei Jin essay theory perspective.The third chapter:Song "ShiLiuyi" the climax of the research. The Song doubted the ancient times to the Han Dynasty;"Shijing" learns to rethink. Its outstanding characteristic is the breakthrough point of the Han and Tang Dynasties, many research works continuously contend. Some people continue to explain "Shiliuyi" by political, such as Ou Yangxiu, Wang Anshi. Cheng Yi presented that the poem has "Liuyi" perspective. Cheng Yi said:"the Fend is blowing; Fu is straightly saying, Bi is Bi yu; Xing is arisen by body, Ya is saying, Song is raise beauty, Lv Zuqian, Lv Qiaonian, LiChu, Lin Zhiqi believed the perspective, Zhu Xi is presented Sanjing Sanwei viewpoint, namely feng is poem of area sang. Ya are peon of Dynasty. Song is peon of temple. The "Shiliuyi" is divided into two parts, and Kong Yingda is the same, but the essence has changed from a literary point of view. He explains "Shiliuyi" by literature. The "ShiLiuyi" research has important implications. At the same time, he explained Feng Ya Song by sang which is next to fact. Zheng Qiao, Cheng Dachang believed the perspective. Wang Zhi believed that "Shiliuyi" is the six verses. Yanchan, Zhang Ruyu argued for the language style, elegance, releasing Feng, Ya, Song. These enriched "ShiLiuyi".The fourth Chapter Yuan, Ming:"ShiLiuyi" slowed development. The first is to Zhu Xi "Shiliuyi" inheritance, supplement. On the one hand, Zhu Xi’s "Shiliuyi" inheritance, such as Liang Yin, Liu Jin, Liang Yi, Zhu Gongqian, Hu Gongqian, Yi Gui, Li Gongkai, Liu Zhen all steamed from "Shijizhuan", their studies were no breakthrough in "Shiliuyi".On the other hand was on the Zhu Xi "Shijizhuan" supplement, interpretation. Such as, Liu Yuru says:bi lies to one shape another, Xing to one shapeing one. Yao Shunming said:"I read three jings three west and doubt." he sends out the question to Zhu Xi label, but to Zhu Xi "Shiliuyi" definition of no objection. Above all there was to Zhu Xi "Shiliuyi" point of view, also have its perspectives for further improvement, enrichment or correct the views of Zhu Xi. Yuan, Ming two dynasties, spreading Zhu Xi’s "Shiliuyi" occupy the main position, but there are also some scribes which were Han tendency. He Kai, Zhu Mouwei, Yang Shen thinked "Shiliuyi" related politic. There were new developments on "Shiliuyi". Li Xianfang thinked Feng, Ya, Song distinction is not a different tone, not rhetoric, different content, but the sources of different origin. Hao Jing said:"no poetry from no Xing; Xing, poetry Emotion in action; In the words of Fu, Fu, thing words; Bi, appearance of meaning." So in the poem, Fu Xing Bi is in unity. Zhu Zhaoying believed that "ancient poetry are endowed with the Fu, Bi, Xing, and use the poem also endowed with the Fu, Bi, and Xing ".Using poetry is also endowed with the view of "Shiliuyi" of understanding deepen.The fifth chapter:the Qing Dynasty "Shiliuyi" research summary. The scholars of Qing Dynasty stood on the basis of previous studies, have Han learning reflection, but also for Song learning introspection. On the "Shiliuyi" inheritance, Chen Qiyuan think that the Feng, Ya, Song line the "Shidaxu", Fang Bao said:"fend enlightening to people; Ya being also beautiful Song described to the priest". Some people explain, Feng, Ya, Song by acoustic Song. Hui Zhouti thinks "the difference of Feng, Ya, Song is in audio, and others people shuh as Gu zhen, Huang ZhongSong, Mao Qiling have same view. Some people explain, Feng, Ya, Song by language style. Hui Zhouti thinks, Feng jian Bi, Fu, Jiao Xun thinks Bi as "spring and autumn "no matter Bi", Bi Jude cases also, poetry will class. It represents the statements of a school." Dai Zhen puts forward "Bi with Fu and Xing" perspective. These explanations were conclusions about "Shiliuyi".The sixth chapter "Shiliuyi" thinks. Frist, the "Shiliuyi" is being taught to Gu Meng, second, it is the blind who use "Liushi" over different occasions, third "Liushi" in the order is the Feng,,Fu, Bi, Xing, Ya, Song. Fourth Fu, Bi, Xing, as methodology is unreasonable, Pre-Qin Dynasty nor on Fu, than, Hing technique discussion. So "Shiliuyi" as the six verses should be a reasonable explanation. As to why no Fu, Bi, and Xing three verses, Zheng Xuan’s explanation is that there is some truth, namely the Feng, Ya, Song join in Feng Ya Song, no longer choose not.