Research On The Poem Theory Of “Ying Kui Lv Sui”

As one of important theories in ancient Chinese literature theory, the theory of feeli ngs and scene has been payed high attention by some scholars from Liu Xie living in Na n Dynasty to Wang Changling living in Tang Dynasy, Zhou Bi living in Song Dynasty t o Fang Hui living in Yuan Dynasty, and from Xie Zhen living in Ming Dynasty to Wan g Fuzhi living in Qing Dynasty. In view of that, this paper tries to excavate and expand t he theory of "feelings and scene" by summarizing "Ying Kui Lv Sui" including that theo ry and carding the use of that theory before and after Fang Hui so as to build a complete theory of "feelings and scene".There are four chapters in total in this paper, the main stu dies are listed as follows:The first chapter about the theory of feelings and scene before Yuan Dynasty incl udes four sections. By exploring the origin of the Chinese character of "jing", the first se ction depicts the early theory of feelings and scene is covered in some theories like the t heory of "sense" and the theory of "image" and carefully analyze the state and discussio n about "feelings and scene" in Qin Dynasty and Han Dynasty. The second section descr ibes the principle of poetics about the generation of the relationship between the "feelin gs" and "scene" which surround about the "sense of things". The third section respective ly depicts the integration of "feelings" and "scene" in early Tang Dynasty, the theoretic al construction of "feelings" and "scene" in flourishing period of Tang Dynasty, and th e discussion of "feelings and scene" and "artistic conception" in middle and late Tang D ynasty. By which to introduce the cognitive process of poetics of the theory of "feeling s and scene" in Tang Dynasty. The fourth section tries to observe the poetics cognitio n of the expression of the theory of "feelings and scene" in Song Dynasty by analyzing t he theory of Zhang Bi and Fan Xi. Basing on those four sections, the first chapter comb s and clarify the development of the politics of feelings and scene before Fang Hui.The second chapter about the theory of "feelings and scene " written by Fang Hu i. This chapter deeply analyzes and summarize the most basic poetics of "feelings and sc ene" of Fang Hui from four sections: the discussion about the stage of Tang Poem comb ing "feelings and scene", the discussion about the theory of variant of feelings and scen e by Fang Hui, the study of the poetics of the description of scene of Fang Hui, the sum mary of the poetics about the taste of feelings and scene of Fang Hui..The third chapter about the study about the expression of "feelings and scene" i n "Ying Kui Lv Sui". There are four sections divided in total: firstly, analyze the influen ce of combination of "feelings" and "scene" to the creation of Tang poems by analyzin g the cause of the "steep" style of the poem written by Liu Zongyuan; secondly, analyz e the reason why Fang Hui recommended peaceful style in Song poem by finding the pe aceful factions in the expression of "feelings and scene" of Song poem; thirdly, summar ize similarities between Tang poem and Song poem by analyzing the ways in their expre ssion; fourthly, try to find out a new point of view of Tang poem and Song poem by com paring the combination of "feelings" and "scene",comparing the poem pursuing the strange style or not and so on.The fourth chapter about the influence of the theory of "feelings and scene" abou t "Ying Kui Lv Sui". There are five sections in total: the first section and the second on e describe the response of the later scholars about the study of the description of "feelin gs and scene" written by Fang Hui; the third section describes Ji Yun’s special criticism t o the poetics of "feelings and scene" written by Fang Hui; the fourth section analyzes th e later supplement and development to the theory of "feelings and scene" by studying t o the supplement to the theory of the taste of that poetics and, the admission to the theo ry of "feelings and scene" used in poem, the reflection to the theory of combination of "f eelings and scene" and the exploration to the theory of the generation of "feelings and sc ene" and the theory of the place of "feelings and scene".