Research On The Classical Paradigm Of Chinese Guqin’s Listening And Presentation Under The View Of Phenomenology

The paper carries out a research on how to listen to the classical paradigm of Chinese Guqin and how to present the classical aesthetics of Guqin music under the classical paradigm. Through limiting the discourse domain of the research to the Guqin music and Guqin theory, from the perspective of what kind of sound can be heard from the Guqin music, and how to listen to the Guqin/how to present the Guqin music aesthetics, it attempts to extend to the discourse domain of musical aesthetics, namely the aesthetics subject of how to listen to the music and how to present the aesthetics.Due to the particularity of object, namely Chinese music, particularly the unique properties of the scholar music under the discourse domain of high culture, it is easy to meet the sensation and perception boundary which the sound is out of the string and meaning is out of the sound during the process of listening and presentation. Therefore, the author adopts a certain kind of methodology to restore when facing to the aesthetic object. Concretely speaking, in the discourse domain of Chinese classical paradigm, it carries out a certain kind of method suspension on Chinese music (it refers to Guqin in the paper) under the high culture of the Analects in the form of intuitive reduction of phenomenology. And relating to the presentation characteristics of Chinese musical aesthetics and intervening Saussurean Linguistics, Language, Gestalt isomorphism concept of Gestalt psychology, it makes an interpretation and annotation on this process.Methodologies in the paper include the concept of "signifier" and "’signified" of the general language of Saussure, "intuition" and "’suspension" of Phenomenological philosophy, and Gestalt isomorphism of Gestalt psychology. With the aid of these methodologies above, it extends to "what can be heard from the music’" from the problem of ""what can be heard from the Guqin music’", and points to "how to listen to the music" further:from the perspective of what does the Guqin theory present, it extends to "what does the aesthetics say" and points to "how does the aesthetics present" further. And at last it answers the question in the paper:the music can be listened to in the form of "plus brackets" and the aesthetics is presented in the form of "plus quotation marks", in order to inquiry the existence of the source of listening and saying in the discourse domain of musical aesthetics.