The Study On The Structure Of The Ancien "Calligraphy Criticism"

"Calligraphy criticism" and "CalligraphyTheory"、"Calligraphy techniques"、"Calligraphers" seen as a common theoretical system consisting of four ancientcalligraphy basic content.“Calligraphy theory” explains the main principles of theancient calligraphy constituted；"Calligraphy Techniques" explains the main contentsof the ancient techniques of calligraphy；"Calligraphers" focuses on those ancientartistic achievement。"Calligraphy criticism" is revealed to establish order in theancient calligraphy，and Calligrapher, works, readers are undertake the historicalrole。You can say,"calligraphy criticism" is both a comprehensive summary of thehistory of calligraphy, and is also the forward-looking guidance for the developmentof calligraphy. This paper analyzes the content and principles theory ofthe"Calligraphy Criticism" structure, Respectively calligraphy noumenon, the mainbody, build, style, view objects as an explanation.The first chapter introduces the "calligraphy criticism" theory of developmentpatterns in each period.Conclusion the type of the "Calligraphy Criticism"、the way toestablish the "Calligraphy Criticism"、development characteristics、the differencebetween evaluation and Criticism。 As well as the impact of 《Zhouyi》、Confucianism、the Taoist。The second chapter points out the three levels of "Calligraphy Criticism"theory:calligraphy body connotation that beautify education, Literarytemperament,calligraphy truth. Beautify the education is beautification function ofeducation, is the social connotation of calligraphy. Literary temperament is theemotion, Is the art of calligraphy. Calligraphy truth is beyond the calligraphy itself,iscalligrapher in writing into life.The third chapter analyzes the main spirit and artistic attribute of the words andexpressions. In the spiritual attribute, god, gas, bones, as the foundation of thestructure character of calligraphy features content, shape the calligraphers personalityand quality of work. In the artistic attribute, natural, afterwards became "hu" is themost ancient and the stability of the proposition, affects the calligrapher calligraphyart achievement. The Four chapter analysis of the generation process of calligraphy. Calligrapheron their own experience of the Chinese calligraphy and feeling to to describe thegeneration of calligraphy. Points out the phenomenons such as interest、intention、inspiration、conception、psychological characteristics.The fifth chapter aim at calligraphy artwork."Calligraphy Criticism" not onlypoints out the calligraphy formation process,and come to the conclusion that the styleof art、ideal pursue、historical imprints. The purpose is to through the style of workobjective to reveal the relationship between people and calligraphy and thedevelopment process of ancient calligraphy art.The sixth chapter is based on the perspective of appreciation to guide a review ofthe ancient calligraphers and the artworks. Not only explains the nature of the "Calligraphy Criticism ", also explain the process of evaluation、standard, andobjective test as the attitude held by the critics and self-cultivation.