Hunan Novels And Contemporary China

Of socialist political crisis in the late1970s, as well as the turn of the economicand social crisis, and s for survivors of China’s reform, mo should be abundant andche two hunan writers on general "Yin","furong town" two novels passed "reform" ofChina’s early stage: the former is a socialist political response to the crisis level ofpolitical reform urgently; The latter from the perspective of the socialist society crisisface to face with the necessity and urgency of the reform in China, the social crisis inthe "furong town" main characterization for the defeat of traditional customs, so wecan see the title of the novel and then one day is called "fresh air is unfamiliar.In the mid-eighty-s, open to the world in the context of global competition,"everything duck prophet" bear the brunt of the contemporary literature in the "world"of the identity of the crisis and the crisis of literary discourse, in this context, dare tohan shaogong to retreat the pace of roots of contemporary literature of China’s culturalidentity, while cx to follow western modernism literature’s aggressive stance. Twohunan writers respectively with its unique novel creation, trying to build up the spiritof the Chinese contemporary literature and world literature.In mid and late90s, along with the rapid development of socialist marketeconomy at the same time, Chinese contemporary literature and the contemporarysociety fell into deep "rupture" crisis, Wang Yuewen with yan zhen two hunan writerscame out, took the lead. The third chapter will first analysis of the special marketeconomy in China, for China’s socialism market economy do a grasp of the concept.Since the90s since market economy is different from the historical period of therepublic of China’s market economy, also different with the capitalist market economy.Because of the socialist political stipulation is the precondition of China’s marketeconomy. That is, from the political Angle may be we are talking about a feasible pathof China’s market economy. In a sense, it is contemporary Chinese each big momentof society or the "crisis" of literature, as xiang chu culture spirit of highlight providestimely mechanism, grasps ethos connoted and ideal romantic spirit of xiang chu culture of hunan writers, stand up every time is in "crisis", emphasizing thecontemporary literati’s responsibility to bear, actively participate in the reconstructionof contemporary Chinese society and literature.The last chapter in the synchronic level, around the local China and ordinaryChinese to illustrate hunan vernacular narrative the common narrative of the novel. Inrural China hunan landscape, taking "grain mill" and "town" as the discussion object,local characteristics of hunan from rural China. In ordinary Chinese section, mainlyfor any meal and He Liwei two changsha writers, for example, first examine themahjong as the center, trying to clarify China since the90s the existence of such acivic culture space, and then to changsha citizens living as investigation object, drawthe outline of the changsha of ordinary Chinese amorous feelings.In this article, a novel hunan are expressed in connection with the logic ofcontemporary China, the overall problem of horizon, in contemporary China, thecrisis of xiang chu culture consciousness effectively stitching throughout thecountry/echo each other at a distance between social modernity and aestheticmodernity, and at the same time, this article is to literary/aesthetic expression as thefulcrum to complete (novel) in hunan province to "reform and opening up","thesocialist market economy" ideological reflection refactoring () in contemporary China.Aesthetic narrative, in other words, the regional literature in contemporary China’scognitive framework, into a cultural and political significance of "local knowledge",and "contemporary Chinese" political economics, is under the discussion of regionalliterature culture Angle of view, gradually revealed its ambiguity and complex,contradiction and cracks.