Pengxuemings Prose In Xiang Chu Culture

In Peng Xueming's prose, the Western is a realistic and virtual existence. Gender relations among his works, customs, ancient town are realistic representation of the scene. But in real life is a heterogeneous multi-dimensional landscape, on the one hand it demonstrated spectacular private life, on the other hand there are people born with their own filth. When writing materials in selected, Peng Xueming pulled out of one side of filth, to be able to reflect the aesthetic taste of their own cultural ideals and the art of the contents of the re-processing, which take away the writers and their literature does not correspond to the ideal the content, so since Pengxue Ming's prose takes on a poetic and beautiful atmosphere.His prose is deliberately hiding the modern scene, describing the object after the last addition to the modern factor, with a mean beyond time and space. "Some eternal cultural ideas" is a literary sense of the spirit of the garden there. This is an important feature of Peng Xueming prose, he has no intention to reproduce the life of the original ecosystem, and has no intention to go his own prose to the philosophy of thinking up some kind of contact. Fundamental reason is that Peng Xueming Western world has always built a virtual world, where the virtual is not to say his prose is completely fictional fairy tale kingdom.Performance of gender relations is the focus of Peng Xueming prose, it is obvious, Peng Xueming prose and mainstream culture, gender relations are very different, and this is where Western-style features. In fact lived in the Western people do not think that real life is so Western scenes, real life is full of hardship, frustration and pain, do not deviate from this literature to that reality? If so, does it mean that Tao paradise described by raving mental patients? After living in the real part of the detachment, the inevitable became bizarre, this is not the preference of the original culture and obsession. The essence of literature is fiction, this is no longer true to detail and artistic links between the real life. But Peng Xueming aesthetic of Western life is not a fictional treatment of exotic culture, nor to show his emotions and feelings structure system carrier.