"Zai Sheng Yuan" Series Boudoir Tanci Research

Female Tanci has a very unique style of popular literature is popular in Jiangsu and Zhejiang area, but of her research is far behind the popular novel. In the existing research results, research works, which one works, while ignoring the relationship between research works. Therefore, the boudoir Tanci "crown" of the " Zai Sheng Yuan " and its prequel "regeneration" Yu Chuan Yuan "sequel" Zai Zao Tian ", pastiche" Bi Sheng Hua "four works as an example, aims to clarify the content of text works, connection and difference between the form of interpretation, so as to understand the inheritance relationship between the inner court" the formation of style and works of thought, art, and to deepen the whole Qing boudoir literature research.The introduction introduces the origin of the topic, discusses the female writers in the Qing Dynasty’s desk Tanci named "boudoir Tanci" reason, pointed out that "Tanci" definition, novels and Tanci belong to different styles of popular literature class, name Tanci fiction is not scientific. And the prosperity of the Qing Dynasty the author does not take all my novels, as one kind of rap literature even singing skills. To the beginning of the Republic of China, the western concept of novel input, then someone will Tanci novels and saying, in fact the two are not put on a par with. Because the female Tanci works completed in the boudoir, and boudoir in main field of ancient women’s life and creation, the author puts forward the concept of "Tanci" boudoir. This in the country belong to the first proposed, accurate location for research object, explores a female author "research" concept "problem. Because of the few researchers, finally briefly reviewed the "margin" series of boudoir Tanci works to study the relationship between regeneration.There are six chapters in the text. The first chapter focuses on "life" and the series of works (collectively referred to as the four women Tanci) author differentiation, creation situation and edition, the author identity and quantity, the approximate time of completion of the works, and the existing bibliographic materials. the features of different versions of the slightly more, points out the deficiency.The second chapter discusses "four female Tanci" relationship, writing purpose and style identification. Combined with the research and analysis of the works of the readme echo, style consciousness and the creation achievement motivation and related work the author’s sense of in-depth comparison between author. This chapter focuses on the research, innovation is analyzed for the first time on the four female Tanci author narratives, summarizes the different female authors approval of storytelling style, individual difference and reduction between the real intentions of the author and the author.The third chapter, the fourth chapter is the four part of their themes and difference of boudoir "," polygamy "writing, filial piety and publicity, equality between men and women three topics. Combination of the text analyses the influence of "polygamous""attitude," polygamy "Tanci story structure and permeability. Note that all authors in writing "polygamy" story from the study, more respected monogamy, universal this theme writing mainly from the story interesting and popular literature such subjects considered. The propagation of the idea of filial piety became four boudoir Tanci purpose of creation, but specific to each work understanding of filial piety is different. Through the study found that, between the "loyalty" boudoir "for Yu Junchen, husband and wife and his servant. But between husband and wife loyalty in that women faithful at the same time, the authors emphasise male to female engagement of the faithful. If the men betray the original will be affected by a variety of punitive setback."Often connected with filial piety" filial piety and loyalty, but mainly applies between parents and children. Filial piety as from the emperor to the common moral rules, are often used to control all the monarchical power, in order to achieve from evil to good purpose. Righteousness and knuckles, then and the righteous husband, actually reflect the requirements in the moral equality of men and women. Section mainly refers to the feminine chastity, boudoir by a large number of virgin heroine image proclaim chastity. But all the understanding of chastity is generally more profound and comprehensive. Meaning, in addition to serve as a bridge to maintain relationships, between friends, sisters, brothers, husband and wife relationship, boudoir Tanci characterization is for the righteous husband image and "chaste" corresponding male moral requirements, presents the characteristics of female writing distinct. Gender equality, equality of men and women in the boudoir "thought mainly contains the beauty of equality, equal responsibility, equality of human nature. I realize all that pen men and women without discrimination is equal in ability and good looks, equal responsibility refers to face the national calamity, home difficult, sister, wife led the common men and women take responsibility, human equality refers to the equality of beauty, emotional expression.The fifth chapter discusses the unique artistic features four boudoir tanci. From the female narrative, psychological description, characters and full of joy and sorrow and a sense of humor scene description to reflect. The author first works on the female fertility plot to do in-depth analysis. In addition, fully affirmed the female Tanci psychological description and humorous language art characteristics.The sixth chapter discusses the four female Tanci causes and literary value. From the boudoir Tanci creation, dissemination of prosperity, talented woman culture influence, gifted scholars and beautiful ladies of three novel new analysis of its causes, and then from four female Tanci in the history status and influence and literary history research course and the significance to study its literary value.The conclusion is that the female Tanci although recognition of women, but not men to lower cost, four female boudoir Tanci Yingjie women with crayons, broke the Cao Xueqin male scholar for others, stand in the angle of men to weaken, objectifying women or belittling male for the purpose of "talented woman worship". Finally, want to use the power of the state to organize large-scale Tanci literatures proposed publishing, as well as the four boudoir Tanci by video spread widely, the academia and the public can pay attention to the Qing dynasty women left precious literary heritage of our.Readme paper confluence appendix, the author designed four female Tanci frontispiece prehensile tail all the readme text collection and add comments comments, scholars from this can feel, see and return all the creation of the scene, understand the creation process and the life feeling.