The Research Of National Image In Movies

National image in movie is not only the most prominent specific aspects of universal movie image, but also a way for presenting national image by film art and media. Therefore, the perception and creation of national image in movie should follow the special provisions of film art and film media. When exploring the special provisions of national image, we should combine the general provisions of film art and the general provisions of film media. Exploring a country the image of the special provisions. The essential problem of my dissertation National image in movie is What is the national image in movie? What kind of relationship does it have with the evaluation of national image in the movie? What kind of mechanism works in the process of building national image in movie? What are the whole experience process of national image in movie comprised?This dissertation will start from the perception theory and image theory in phenomenology which is closely related to national image in movie to explore and draw the relevant conclusions:national image in movie is a unity of perception consciousness which is formed in the in the physical situation of film viewer, based on the whole somatosensory experience of national image and the presence of their cognitive evaluation. The national image we perceived in film and television is not innate, objective material or the image itself, but the image experience from our body experience. After in-depth analysis, we will find that the core of somatosensory experience process is a kind of multiply interweaved intentional Meeting or Reconstruction among national image, visual images of the body and film and television media, which determines that the structure and morphology of national image in movie has both internal and external dimensions. The internal dimension is essential and based on the somatosensory experience on national image, while the external dimensions is its content, it provide a cultural perspective for us to realize the correlation between different nation image from outside. Because of the formation mechanism and structural feature of national image in movie, we can explore the constructive mechanism of national image in movie from positioning, rhetoric and communication with the precondition of somatosensory experience. The ecosystems of national image in movie is external constraints of somatosensory experience under the new technology and cross-cultural context. This paper mainly focus on the core issue of somatosensory experience of national image in movie to completely state the perception experience of national image in movie from internal and external dimensions, lateral and vertical dimensions, achieve a practical aesthetics exploration on national image in movie including its constructive mechanism and ecosystems.