An Analysis Of The Origin And Development Of Ink Flower-and-birds And The Re-Mining Of Its Aesthetic Value

Since the beginning of the Tang Dynasty,after the Five Dynasties and two song dynasties,the History of the evolution,to the Yuan Dynasty,ink flower and bird has developed a complete form of techniques and aesthetic characteristics.The flower and bird paintings were in the peak of history in the Yuan Dynasty.Ink flower and bird in Yuan Dynasty existed in the remaining threads,after the Song Dynasty,when the Literati class Rose,the palace aesthetics gave way to the literati aesthetics,the Yuan Dynasty ruler abolished the painting,professional painters then lost the palace sponsorship,actively closed the literati aesthetics,many factors created its prosperity in Yuan Dynasty.Scholar aesthetic gradually occupied the mainstream of the society in the Yuan and eve after Yuan Dynasty Yuan Dynasty.Calligraphy in the literati,as the second factor of the development of ink flower and bird paintings(the first factor for the ink),the active integration of the formal norms of the academy ink flower and bird paintings were thoroughly deconstructed.Academy ink flower and bird paintings rapidly declined after Shen Zhou in the Ming Dynasty.From the ink flowers and birds to ink expression,the Chinese ink painting developed more than 300 years from the Five Dynasties to the Yuan Dynasty.In this time,the flower and bird as an art form processed from the beginning towards prosperity,from the function of the social body ultimately to the literary style of introspection.Ink flower and bird in the process of this evolution,the general theory was considered to be a kind of the transition stage of the fusion of flower and bird.With case analysis as the core,a comprehensive study of the origin of ink,after the whole course of formation and decline,it was thought that ink flower and bird not only formed his own definite character in skill,composition and conception,but also has its own unique aesthetic standards and tendencies in the cultural,philosophical and aesthetic aspects behind it.Especially in the ink aesthetic aspects,this article combines with Chinese traditional aesthetics,Sikongtu figure "24 Poems" in the elegant,implicit,natural three products as the standard,creatively positioning and analyzing the temptation of aesthetic value.To investigate the development,evolvement and the real cause of the eventual decline of ink flower and bird,this process must be restored to the development of the whole history of flower and bird painting,and even the development of the whole society as the background of academic analysis.Philosophy,literature,religion,social stratum change,and even the development of science and technology will affect the development of ink flower and bird paintings,various factors are not the relationship between the other,but the interaction between each other intertwined.History is to develop together,so is the development of paintings.This article embarks from the philosophy foundation of the flower-bird's development,the time literature prevailing custom,the social stratum change and so on factors.It also probes into the various forces of promoting the development of ink flower and bird paintings,and analyzes the change of social stratum structure in Tang and Song dynasties,the emergence of literati stratum,the court aesthetic way and literati aesthetics,the transformation of this power is the core sociological factor that really affects the development of paintings and even their declination.