Research On The Ancient Songs Music Of She Nationality

She nationality is the nomadic minority in southern minority without system words,in the existing research of She nationality historical culture,there are quite a lot of historical data from the memory of the songs.Ancient songs music of She Nationality is the memory based on dominant position of She nationality,it is the retrospect about the historical information of self-group of She people,which is obviously different from historical narration based on "Man","Liao","Dong","Yao","Shekepo" of She nationality recoded by historical records of Han nationality when they are in dominant position.The songs of She nationality not only is "Songs"but also one kind of "songs culture",which is one kind of explicit evaluation criteria to"authority","teacher" and "scholar" within interior group of She nationality and is the emergence of invisible features of the face of the widespread existence of "Songs teacher" in She nationality group.Standing on the height of Han nationality culture,the degree of universal education of She people is different from Han people,but She songs taking She nationality as main body is an all-inclusive,highly philosophical knowledge repository containing everything,in the long river of the development of She nationality,She songs is an "air school" suspended on the area of She nationality group habitation area,the cultural power of its spread continued from ancient to now in the blood of She people in depth.Back to the beginning of this bloodline,inheritance of "She nationality ancient songs" makes cultural genes of She nationality inherit more faithfully.She is so important but was forgotten by people.At present,She nationality ancient songs is mentioned by scholars excluding in literature and historical research,there has not been a special observation and study of Musicology.She nationality ancient songs should distinguish intension and extension of ancient songs and epic in musicology.?Analyzing history,ancient songs was born earlier than epic,epic was the mature stage of the ancient songs in the style of literature and poetry.Ancient songs don't need to show solemn feeling as epic,needn't special singer,audience may be present or absent and don't need to set up a grand configuration.The ancient songs of She nationality has narrow sense and broad sense?In narrow sense,it contains ancient songs of creative content,myths and legends and epic,including recognized?Gaohuang Songs?,?Ancestral Male and Female Songs?,?Pangu Songs?etc.In broad sense,it also includes short ancestors songs,tomb songs,advised songs,sacrificial songs,laza songs etc.Thus,inspecting the ancient songs of She nationality,excluding inspecting narrow ancient songs,it should not ignore She nationality religious ritual songs containing ancient character and She nationality nursery rhymes with minimum rheology and corruption as well as single inheritance.Consequently,on the basis of field investigation data,from the analysis of culture and music of the legacy of the ancient songs,the author raises 3 conditions of "She nationality ancient songss" and meticulously analyses ancient songs sound embellish cavity of'Taking a breath","Progressive interval","Fixed three tone column","Yiyang" sound,"Zhesheng","Atypical word structure","Dayingchang" and ancient "Teacher" ceremony of She nationality in music and text as research objects starting from?Twilight songs?and thus obtains the conclusion:the core high-voice material of She nationality ancient songs is "Zhesheng",the combination of "Zhesheng"and "Color tone "constitute She songs from all places.The randomness of She songs words shows her ancient features,the participation of lining words of She nationality shows the gender difference of She people about lining words,initially raising that the embellish cavity of ancient She songs was composed by five main kinds of songs voice.In view of the current academic fallacy,raising the conclusion that endangered ancient large ceremony of She nationality "master teacher" is"Chuanduxuefa" while not "ancestor worship" and "coming-of-age ceremony".In the present academic circles,based on the abstract record of "Chuandufaxue"ceremony,it is the first time to carry out detailed site record for "Kuantou"content.It was found that there are large quantity of She nationality special words "Santiaobian"that is never seen in other nationalities in ritual music lyrics,conducting explanation of "same structure","near structure","far structure" and "variable structure" of their prototype and change in this article.It was found that there is a filial songs from Lingbao County?Henan Provice which has high similarity with She nationality ritual music lyrics in music melody,providing only evidence in music for the academic conjecture of one of the textual research of She nationality that the ethnic minorities is from Henan.At the end of the article,the author elaborates She songs' unique aesthetic and the transfer of the "ritualization" and"networking" of She songs' songs field.Finally,the author hopes that the real protection is is not to " interfere with it","let it grow"and provide help from the periphery while do not intervene from within.The real loss is "swallowing","assimilating","alienating" her and "losing self".The best protection and inheritance is provide all support form the periphery and let it "live".