The Runqiang Researh Of Han Folk Chorus

Runqiang is the methods of beautifying,decorating and polishing vocals in national vocal music art.Han folk chorus is a folk song chorus composed by Han folk songs as the name suggests.Runqiang is the native folk vocal performance techniques,originated in the Chinese opera and folk songs.There is an essential difference between the Chinese multi-vocal folk song in China and the current popular Han folk song chorus.Han folk chorus is a kind of expression form of fusion of Chinese and western musical culture.Its genre comes from the West,Creative techniques were also Western in the first place.In a gradual development gradually gradually to the national music creation technology into one,And gradually to local ethnic style-based,to highlight the national style for the purpose of writing.In the field of performance,Han folk chorus should be how to interpret? A genre of art based on Western genres to develop and expand in China,singing techniques must go through profound thinking.To verify whether the singing method used in practice can reflect the style characteristics of Han folk chorus.Han folk choral singing characteristics must be different from the Western choral singing style.Han folk choir because of the genre and the local multi-part folk songs are fundamentally different,it is far less likely to be completely consistent in concert.Therefore,the Han folk chorus in singing to find ways to highlight their own characteristics.Runqiang is a technique that is still valued by scholars in the present after experiencing the evolution of the Chinese mainland for thousands of years.Runqiang plays an indelible role in reflecting the style characteristics of Chinese national vocal music.Therefore,the singing of Han folk choir must consider the combination of “Runqiang”.For a long time,the theoretical study of folk song chorus has been in the form of song analysis and command techniques discussion.Few people discuss the charm of folk chorus from the perspective of works and singing.For the singing of folk songs how to reflect the charm of the Chinese nation rarely asked questions.The innovation of this research lies in the combination of Runchao technique with local attributes with Han folk chorus with dual Chinese and Western attributes.Research of the Han folk chorus Runqiang technique based on the successful experience of predecessors.And further studies the charm of the Han nationality chorus after performing the technique of moist cavity.This paper is divided into introduction,the main body(seven chapters).The first chapter: Theoretical explanation of the Han folk chorus.First,the concept of Han folk song chorus was defined and the history of Han folk song chorus development,the development of the Han folk song chorus is divided into two stages of the initial prosperity and mature development.Han folk chorus,is based on Han folk songs adapted,created,with Han folk style chorus works.Contemporary,The creation and concert of folk chorus faces a problem called "aesthetic standard".Which works more in line with the Chinese national musical culture? Different scholars will have different opinions.Those creators believe that the use of folk elements of folk songs with the creation of chorus works,Whether its aesthetic value is high or low,Not only to withstand the judgments of literary critics,More to stand the consideration of time.Only chorus works that have long been widely sung by people and still have the vitality of folk songs can be called "folk song chorus." However,during the process of defining the concept of folk chorus,one can find that people always hold a more unified attitude towards their aesthetic value orientation,that is,the creation and performance of folk chorus should embody the artistic features of Chinese music.Second,This essay searches through 12 books that have been published and published entitled "Folk Song Chorus",collecting a total of 123 Han folk song chorus.These choral works are classified from three aspects of adapting technique,color area and theme.Adaptation techniques will be divided into the Han nationality chorus singles adaptation and creation of two types of adaptation,According to the division of color areas of Han folk songs,the Chinese folk songs and chorus works are divided into the northwest color area,the northeast color area,the Jianghan color area,the Xiang color area,the southwest color area,the Hakka folk color area,the others(Jiangsu,Zhejiang,Anhui,Jiangxi,)And other seven categories,The theme is divided into three categories of work,love,life scene.Third,Chorus and solo,after all,is different,the use of chorus singing is also being explored,so there will be some special singing skills.Han folk singing techniques are mainly complementary singing skills,progressive,integrated three characteristics.Downward,wavy,parallel melody lines will also produce different singing skills.The second chapter: Han nationality chorus biting and articulationThe most obvious difference between Han and Chinese folk chorus lies in its lyrics.The transcription of multi-syllabic Chinese characters is much more complicated than that of western monosyllabic words.The multi-syllable character of Chinese characters gives the Han folk song chorus the rich change on the bite.Chinese characters with the same vowel as the rhyme,because of the differences between the other phonemes constituting the Chinese character.The connection of words and words constitutes a phrase,and the combination of phrases constitutes phrases.Different Chinese characters also have different requirements on the connection.Not only that,the same pronunciation of Chinese characters,but also because of music,sentence or sentence at the end of the position,the pitch difference caused by the bite on the nuances.More to note is that despite the ever-changing requirements of the word,but the purpose is to show the emotion and style of work.Therefore,sometimes in order to work style needs,the requirements of biting the word should be consistent with the style of the work.Biting the word and the word is to see the truth in the subtle,is the Han folk song chorus to form their own unique key factors! Since one of the hallmarks of the distinctive distinction between Han nationality chorus and Western chorus is biting and phonetic transcription,the essay analyzes the important features of Han-chorus technique in Han folk singing.Thus enter the key chapter of this thesis.This article divides the technique of moist cavity chorus of Han nationality into two categories,that is,the momentum changing cavity and the color cavity.Among them,the momentum of change Run cavity is divided into the intensity and rhythm Run cavity,rhythmic Run cavity,lilium and broken sound Run cavity three categories;Color moist cavity is divided into a decorative moist cavity and the sound of the two types of moist cavity.The third chapter: Han folk songs chorus changes momentum Run cavityMovable momentum Moist room mainly include the strength and rhythm Run cavity,Rhythmic Run cavity,sound and sound broken Run cavity.Among them,the intensity and rhythmic moist cavity is divided into intensity and “elastic” rhythmic cavity,strength and regular rhythmic cavity,strength and echo rhythm Run cavity three;Rhythmic moisturization refinement for the bite of the word strength and rhythmic cavity,regular rhythm of the cavity technique,imitation rhythm of the Run cavity technique three categories;Luan and broken sound Run cavity is divided into before and after the rales and staccato sound Run cavity,empty tone-angular transport cavity two categories.Through listening and observing a large number of performance videos and audio,this chapter summarizes the classification of the dynamic changing cavity of Han folk chorus through the analysis of music scores,and puts forward the method of polish in actual singing.The fourth chapter: Han folk chorus color moist cavityHan folk color chorus chandelier mainly decorated with moist cavity and tone color change cavity two types.Among them,the decorative moist cavity is divided into the Reliance tone,slippery sound,vibrato,Boeing four categories;Tone variability Run cavity is divided into tone change Run cavity,nasal tone Run cavity,throw cavity three categories.This chapter adopts the same research method as the third chapter,summarizes the characteristics of the color moist cavity in the observation of audio and video,and puts forward the specific method of retouching.The fifth chapter: The momentum of the Han folk chorus Run qiang.Mentioned in Yuan “Singing Theory” put forward five breath techniques,these five breath techniques,the Han folk song chorus “Qi” plays a fundamental role in modeling,can be described as “Qi” of the fundamental! Han folk song chorus rhythm line is rich and varied,many ethnic charm is reflected in that article is a complex but varied melody line.Different melody lines have different momentum trends,and some melody lines because of the addition of moist cavity more highlights the national flavor.Han nationality chorus melody line type,mostly wave-shaped meandering,how the momentum in the conversion between voices,convergence,set off,is a command and choir must be thoughtful question.Only by properly grasping “Qi” can we gain a good second-degree creation effect and show the special charm of the Han folk song chorus.The sixth chapter: Han folk chorus Run cavity of the “rhyme”Rhyme word originated in music,but its connotation in the field of literature has been a rich development.This chapter discusses the development of rhyme in the field of music in detail,and summarizes the historical evolution of rhyme meaning.And sort out the relationship between charm and charm.Melody,rhythm,harmony,timbre,music structure and so is the basis for rhyme,without these musical elements,rhyme is nowhere to be found.Individual life perception,life experience and cultural background,living environment is the necessary conditions for the formation of rhyme.Rhyme is beyond the scope of specific forms of music,connected with the perception of life category.The rhyme and charm of the Han folk chorus are mainly embodied in the three aspects of timbre,rhythm and harmony,and form their own uniqueness under the common action of these three.The seventh chapter: The “Yun Association” of Han folk chorusKnowing the Qi and rhyme characteristics of the Han folk chorus,the Han folk chorus is bound to show the aesthetic characteristics of “harmony of charm and grace” in performance.In the Han nationality chorus,the "harmony of qi and rhyme" is mainly reflected in three aspects: first,the "rhyme" in the progress of multi-voices;secondly,the "rhyme" in the changing speed of intensity;Moist room,change the tone of the word Run on the momentum of the building.