On The Relationship Between Voice-Tune And Lyric Of Heluo Folk-songs

Heluo is the first area came into civilization and emerged country,which have had been the politic,economic,cultural and transportation center in the past thousands of years Huaxia history.Heluo Area was named “China”,that is,center of the world in the Hezun Mingwen in the era of Emperor Cheng,Zhou Dynasty.Heluo Culture has been featuring in China as well as the whole world cultural history;Her unique and profound historic & cultural background brought up a high-start culture type of ancient music;which also created numerous music types as well as forged a historical-succession music culture system;Based on its remarkable artistic achievements,Heluo Culture was regarded as a model to represent the music culture of each period,which definitely played a center role during the whole process of Chinese traditional music upbringing and developing.The law of the combination of the relationship between the singing accent and lyrics of folk song is a special presentation of the unique features of local regional culture;The study of singing accent and lyrics enable us to penetrate the protection mechanism quickly to get an understanding of "temperament" in culture,also have some understanding of the specific psychological characteristics and psychological processes of this culture.This thesis “On the relationship between Heluo folk song singing accent and lyrics”,from the view of researching object "Heluo folk songs",is a part of the study on regional music culture belongs to the art of singing;From the perspective of research content it is an interdisciplinary and marginal intersecting researching field.The characteristic of symbiosis between folk music and language determine that it is not enough to study music only through studying folk songs;Therefore,researching through field on-site investigations,visit the folk singing "field",combine linguistics and music to present the regional characteristics of folk song;Meanwhile,through using empirical research methods etc.to study on the two elements of Heluo folk symbiosis: rhythm,lyrics as well as the relationship between them through.By investigating and researching deeply on the internal structure and external pattern of relationship of Heluo folk songs`,to set up a new field for thoroughly study on the relationship between singing accent & lyrics,and performance aesthetics via overstepping the literally relationship between singing accent and lyrics.The full text is composed of six chapters:Introduction mainly elaborates the research origin,meaning,problem,status and the method as well as the issue of innovation.Chapter one,firstly elaborate natural and social environment of Heluo folk song accent and lyrics;based on the elaboration to introduce the patterns and themes of Heluo folk song.Chapter Two,Analyze the prosodic characteristic like accented and unaccented beat etc.modal scale characteristic like tones and phonetic feature like voice,tone and rhyme as well as dominant character like lining words,reduplication and special timbre.Chapter Three,mostly analyze the relationship of tones between accent and lyrics.Firstly,on the basis of theory researching method of instrumental phonetics,get start to research from the relationship between tone and accent to analyze the Heluo dialect tones and words through using the monosyllable,polysyllable as well as questionnaire of dialect character list as experimental material;To visually present the dialect word tones changing through 3D spectrogram and experimental diagram,comparing with the folk song lyrics corresponding to the ups and downs of tune melody;Secondly,categorize the characteristics of Heluo Dialect tones,and analyze the trend characteristics of tone patterns and singing rhythm.Chapter Four,from the perspective of structural mechanics to analyze the JuFu,Judou as well as if the end of the corresponded with aria rhythm or not in the basic pattern and changing pattern of sentence in Heluo folk song;secondly,analyze and research the characteristics of lyrics paragraph and accent musical form,as well as the structural characteristics and summarize the structural relationship between them.Chapter Five,mainly elaborate the rhythmic relationship between the lyrics and aria of Heluo folk song.According to the Theory of Phonology to research the characteristic of habitual stress,logical accent and emotional stress of rhythm of lyrics as well as analyze which is consistent or opposite with the stress in the rhythm of singin.Chapter Six,mainly research on the features such as “Voicing”,“pronunciation”,“Runqiang” and elaborate the charm of Heluo folk song.Last,analyze the status and pattern of artistic performance,diversified inter-kingdom protoplast fusion and epochal innovated inheritance.The Final part is mostly summarizing the relationship of tone,structure,and rhythm of Heluo folksong;as well as the stability and variability of the law of development of Heluo accent and lyrics relationship from diachronic aspects and synchronic aspects.