Study On The Art Of Birch Skin Of Oroqen

Under the influence of different natural environment,regional conditions and other objective factors,the traditional art form embodies human civilization and wisdom for thousands of years.The historical culture and development track it presents is the real reflection of the historical achievement of national culture creation.Our country has a glorious history of five thousand years.The wisdom creation and thought crystallization of many nationalities have built a long and lasting cultural map.As a member of this big family,Oroqen,who lives by hunting in the mountain forest,has a long history and splendid culture.Because of its special regional living environment,historical background and the relationship with nature,the people of Oroqen have shown different cultural features and spiritual characteristics from other nationalities in production,life,morality,custom and national spirit.It is from these unique social features and profound humanistic connotation that they have created forest culture with distinctive national characteristics The birch skin art of Oroqen is the most representative art form in this culture.The birch skin art of the Oroqen is one of the components of the traditional art forms in our country.It not only has the incomparable vividness and flexibility of the characters,but also shows the deep internal national emotion and unique aesthetic pursuit.It records the history of the Oroqen in the form of "living fossil",adheres to the fidelity of the ancient art forms and the regional folk culture,and also the spontaneous creation in the national belief not only carries the past,but also enlightens the future.Birch bark art of Oroqen is an art form with birch bark as the material carrier.In fact,if we define birch bark art more strictly,we should call it silver birch bark art.This art form originated from the long-term primitive hunting activities,which was spontaneously formed by people's subjective will.The significance and value of the birch skin art of the Oroqen have a bright common point in the art of the ethnic minorities in China,and also have a relative universality inmany art forms in the world.Therefore,it is imperative to make a relatively objective and rational evaluation of this art form in the contemporary inheritance and development,and highlight its important academic and representative.This paper is based on the traditional art form,the traditional culture of Oroqen as the research basis,the birch skin art as the research object,and from the perspective of aesthetics and literature,the topic of “Research on birch skin art of Oroqen” is discussed in depth.It mainly involves the national history,traditional culture,plastic arts,aesthetic theory and inheritance practice,and fully combines the field research,literature research,interdisciplinary comprehensive analysis and other research methods,so as to summarize the core purpose and significance of this art form research.The first chapter is the origin and change of birch skin art in Oroqen.This chapter makes an in-depth exploration of the historical situation of Oroqen and the elements of birch skin art,and makes a detailed analysis of the changes of this art form in the political,economic and cultural orientation.The second chapter is the presentation of birch skin art in Oroqen.This chapter mainly talks about the image carrier of the birch skin art in Oroqen from the aspects of painting,paper-cut and utensils,and introduces in detail their shape,color,pattern,content and theme.The third chapter,the cultural connotation of the art of birch skin in Oroqen.This chapter mainly discusses the deep cultural connotation contained in this art form according to the original folk custom and belief,national aesthetic consciousness and various artistic styles,and reappears them through it as a carrier,that is,the research on the folk custom,religion,spirit,aesthetic and artistic style presented in the art of birch peel in Oroqen.The fourth chapter,the dilemma faced by the art of birch skin and the contemporary significance of inheritance.This chapter mainly from the inheritance risk,the development feasibility and the contemporary significance three angles,deeply digs the negative factors and the positive measures which this art form presents in the inheritance and the development process,and expounds the artisticstatus,the academic value and the "intangible cultural heritage" inheritance of the art of birch skin in Oroqen.The conclusion of this paper,mainly sums up the research results of the birch skin art of the Oroqen,and discusses the attributes,functions,current situation,significance and value of this art form respectively,so as to conclude that it is very necessary for the inheritance and development of this art form.In the process of writing,this paper summarizes the following three aspects of innovation.First,according to the national aesthetic consciousness,it excavates the significance of the birch skin art of the Oroqen in the progress of its national culture and social development.Secondly,by exploring the diversity of artistic styles,the paper reveals the relationship between the art of birch skin and design aesthetics in Oroqen.Thirdly,in view of the development trend of the art of the birch skin in Oroqen,it advocates the rational return of the inner national culture and spiritual belief of the art.To sum up,the formation of this paper benefits from the author's long-term living in the same county with the people of Oroqen,with the advantages of distance and experience,which is conducive to the understanding of this ethnic minority.This paper takes the birch skin art of Oroqen as the research object,through the external presentation of this art,we can tap into its profound significance and value,and explores its related research at the academic,historical and cultural levels according to the context of its inheritance and development.The writing of this paper is not intended to make subjective and poetic interpretation,but is dedicated to calendar The charm and value of art itself can be found in the deep folds of history and culture.