The Study Of Literary Similarities And Differences Before And After 1976(1971-1979)

This thesis focuses on literary similarities and differences between cultural literature and new era literature(1971-1979),including six areas:the production of the cultural revolution and the new era periodicals,effect of inertia factor come from the literary editing mechanism in cultural literature and new era literature,the workers,peasants and soldiers amateur authors-the subject of proletarian literary and artistic,the revolutionary story-the representative form of proletarian literary and artistic,acceptance and variance of 17 years of literary tradition in the cultural revolution and the new era literature,the ideology of writers image creating after cultural revolution.Chapter one discuss the acceptance and variation of the mode of production of literary periodical 1971-1979.trial issue,complex issue,essay writing,plagiarism,reader survey form are the five key words in the chapter.the security to avoid political landmines is obtained to the first condition of existence for literary periodicals published since 1971,the problems faced by the literary periodicals how to avoid political embarrassment after 1976,the experience of 1971-1976.complex issue how about the publication of the original sin come from cultural revolution is literary phenomenon of richest ideological symptoms in beginning of the new era literature.the essay is an important part of the cultural revolution and the new era literary periodicals,but it is also an important measure of political mobilization literary periodicals.attitude towards plagiarism reflects the cultural revolution and after cultural revolution literature ecological changes,the role of the reader from the cultural revolution to a new era of change manifested by the adjustment of the reader survey form content.Chapter two discuss editing mechanism unique role in the cultural revolution mainstream literature and the new era literature production.there been some research writers cross-border groups between the cultural revolution and the new era,were not concerned about the continuity of the literary editing mechanism.Ye Zhishan,Lu Xiuzhen on the modifications of Xiao Fuxing article,encourage enthusiasm were got Chen Zhongshi by He Qizhi,writers of educated youth including Zhang Kangkang,Zhao Lihong,Wang Xiaoying and so on were taught by Xie Quanming,these things as example to analyze edit inertia of cultural literature come from 17 years of literary editor:modify the manuscript,politically sensitive sense of smell,intervene the generation process of the works,good personal relations between editor and writer.completely politicized society of the cultural revolution,the personal friendship of editors and authors also extends for another form:the ethics of favors and gratitude from traditional chinese culture,which weak against autocracy.as an important factor in the mechanism of literary editor-author-also exhibit unique creative psychology during the cultural revolution.follow the mood of the times and utilitarian rationality in writing to change the fate impact mentality of writers start writing during the cultural revolution,Ye Xin as example to explore this issue.Chapter three discuss writing problems of the workers,peasants and soldiers amateur authors during cultural revolution in the review leftist literary tradition.Fundamentalist understanding the relationship between life and literature,the mainstream literature have huge expectations enthusiasm to writing potential from labor,farmers and PLA solders after 1949,and training them into practice.Since 1949,the mainstream literature gives the writing of workers,peasants and amateur authors to the political significance has gone through two phases:the capture of the fortress of bourgeois literature,to eliminate the difference between mental and manual labor.the latter opened the writing boom of workers,peasants and soldiers amateur authors during the cultural revolution,the workers,peasants and soldiers amateur authors drop from the center of public opinion.encounter identity proplem whereto go.Chapter Four disscuss evolution of story which belong to folk art forms during the 17 years literature,specifically cultural revolution and the new era literature during the context of left-wing literary art instead of literature,from traditional story to revolutionary story,from story teller to revolutionary story teller,the story has gone through a thorough transformation of the revolutionary ideology.to revolutionizing become a leading public opinion,the nature of the story encounter new problems after the cultural revolution.Chapter Five discuss the variation and development of the rural novels and narrative poems in 17years literature during the cultural revolution literature and the new era literature,as most important narrative mode in the 17years literature,the rural novels continue to exist in the cultural revolution,it become a high-profile creative trend in the beginning of the new era.we take Chen Zhongshi,Zhou Keqin,Ye Weilin,GuHua,Sun Jianzhong for example in this chapter,to analyze their evolution from the 17years literature to the cultural revolution and the new era literature.we take evolution of the lyrical function Xin TianYou in Mei Shaojing's poetry for example,to explore the continuity and variation narrative of poetry tradition of 17years literature in the cultural revolution literature and the new era literature.Chapter Six discuss unique role of writers image creating in the conversion process from cultural revolution to the new ear.This chapter first examine image creating of HaoRan who the most popular writer in the cultural revolution literature after cultural revolution,followed by to explore conspiracy between national mainstream ideology and cultural revolution memory from writers who subject to criticism in political unrest in the beginning of new era.