Research On The "Autumn State" Of Chinese Landscape Painting

As an important motif in Chinese classical literature and art,autumn has its unique connotation and significance."Autumn" is one of the four seasons,which is more abundant in connotation and meaning than "spring","summer" and "winter".First,"autumn" as the four seasons in a special time node,on the one hand has a "harvest","mature" means,on the other hand has a "cold" and "bleak",is a natural object by the sheng and the failure of a particular stage.Therefore,the literati's depiction of "autumn" and the expression of emotion and perception constitute a very important theme in poetry and painting.Based on the Chinese landscape painting in the "autumn" as the research object,the theory of "autumn" construction is divided into three levels: one is from the pre-qin philosophy,secondly from the poetry literary theory,a third for painting theory.Specifically,the paper first discusses the "four" "autumn" in the pre-qin philosophy of the formation of the motif and connotation,and discusses its in literary works of different themes,further expounded the "autumn" in the poetry,painting,contact and transformation.Secondly,this paper discusses the artistic conception and aesthetic form of autumn in painting theory.Thirdly,this paper takes the specific painting works as an example to further elaborate the artistic conception and implementation of "autumn" in landscape painting.Papers in the level of painting aesthetics,"autumn" of ancient Chinese landscape painting in in-depth study,is not only to explore the "fall" of the construction of "state",even more deep the connotation of "meaning" of "autumn".