Research On The Types And Characteristics Of Chinese Contemporary Drama Festival(1949-2017)

After the founding of new China,the festival of our country has long been dominated by the government,until the 1980 s,with the development of a series of economic and cultural system reform,the festival also gradually enriched from the early single type.Today,different scales and types of drama festival all over the country are beyond counting,which promote the development of the drama art in our country and have become an important part of cultural industry in China.However,behind the rapid development of drama festival,there are also some problems,and the influence behind them is thought-provoking.The paper analyzes from two dimensions called nature and location,combined with historical data analysis,qualitative analysis and quantitative analysis,to study Chinese contemporary drama festival,to conduct a more detailed discussion on types and characteristics of Chinese contemporary drama festival through case analysis,text analysis,data analysis methods.This paper mainly includes six chapters.Chapter I is the introduction,which explains the source of the topic,the content and significance of the research,the status and methods of the research,the definition and innovation of the concept.Chapter II and Chapter III combine nature and location to divide the Chinese contemporary drama festival into “two categories and five kinds”.The two categories include official drama festival and private drama festival.The five kinds include government-lead drama festival,artists dominated drama festival,university students dominated drama festivals,non-profit and profit made drama festival dominated by private institutions.Meanwhile,analyze three development stages of the official festival: rebirth and the evolvement,continuation and expansion,inflation and simplification,and the rise of private drama festival.The two chapters uses classic cases to discuss the “two categories and five kinds” in a deeper level from five characteristics,such as the propaganda of political consciousness,the display of artistic power,the cultivation of campus culture,the aggregation of folk enthusiasm and the reconstruction of business model.Chapter ? combines with four characteristics including the diversity of fundssources,the difference of organizational structure,the section design of inheritance and innovation,the propaganda of segmentation and update to analyze operation mechanism of the official festival and the private drama festival.Chapter ? analyzes from two levels called country and city,to summarize and explain three aspects of country function which include China's contemporary drama festival in political guidance and public opinion propaganda,cultural exchange and aesthetic education popularization,enhancement of the soft power and prolongation of influence,and three aspects of urban function which include the cultural space and development of cultural service system,brand casting and cultural output,the utilization of cultural heritage and promotion of cultural consumption.Chapter ? summarizes and analyzes five kinds of dilemma of China contemporary drama festival such as the suit following and convergence,the lower internationalization degree,the clash of performance and feedback,the imperfect market mechanism and the low sustainability by cases in recent years.On the basis of these difficulties,the paper puts forward future development strategies which include the transformation of government function,the optimization of operation mechanism,the scientific integration of resources.