Study On The Morphology Of Landscape Painting In Guan Zhong Region From The Sui And Tang To Early Song Dynasties

With the development of Chinese landscape painting to the Sui dynasty,a visible and completely independent appearance came into being which has far-reaching influence.As the location of Chang 'an,the capital of the Sui and Tang dynasties,the importance and significance of Guan Zhong's regional value to the development of the whole landscape painting were highlighted.Years passed and it's cultural has been changed too,although which changed the precision of the ancient geography to some extent,the fuzzy concept of "region" has been already fixed and transformed into a sign of the regional culture that is defined gradually.This concept was rooted deeply in people's minds,and has a broad and far-reaching influence on art.In this paper I attempts to describe based on Guan Zhong region.Following the time venation from the Sui and Tang to Song dynasty,step over the important period of start-up and development of landscape painting form,one side I'll dig into the importance of regional research consciousness of landscape painting.And the other side,set forth four aspects of the material carrier and showing way,form language,aesthetic and artistic spirit.Thus I pick on two main forms to analyze which are the color form and the ink form.As one of the traditional Chinese art forms,Chinese landscape painting has a complete and unique self-culture character.In this paper,the author in the process of seeking the cause of Chinese landscape pattern change,tend to focus study of Chinese landscape painting form on its own internal structureadjustment mechanism and generating system.By using the method of painting morphology,the study of landscape painting art enables us to see the structure and morphological changes of the landscape from the perspective of the middle ground and the stratification.And in accordance with the time sequence classification research,landscape painting in the traditional sense cannot fully reveal the mechanism of its internal operation rules and development factors.More important,it can't systematically provide ideas from the view of the methodology of creative practice.The nature of the constituent elements and the value are not same.However,the Chinese landscape painting are able to development integrally,its form of internal structure with relative stability,the activity of the fusion and creation,and it can be on the basis of the original compatible with foreign and has a positive meaning of influencing factors,according to the landscape painting unique mechanism works to create a new pattern of landscape painting.The purpose of this paper is to analyze the morphological description and structure analysis of traditional Chinese landscape painting: to trace the fundamental relationship between Chinese landscape painting and nature.And,the study of the deep mechanism purpose lies in: through studying the natural features of regional,cultural characteristics under the influence of Chinese landscape painting form,to find its shape rheological origin,writing motivation and practical significance.