| Li Po's "you havn't see that the water of Yellow river comes from the heaven,going into the sea without returning back".This sings out the great momentum of Yellow river.Besides,Wang Huanzi's Ascending Stork Towers is also let people shrink beauty into short size at hand,allow philosophy into prospect.Wang Shifu's "Romance of the Western Chamber" sings out "blue cloud in the sky,yellow flowers on the ground,western wind tightens,and northern gooses fly south.In the morning who dyed the frosty forest drunk? It is always the tears of separation." In this colorful,digested and full of history land,sprang up so many men of literature and writing.How can we say the oil paintings don't influence our expression of emotion,when the new creation method came into China,eastern and western cultures shocked together,and oil paintings continually wear local tags? With the development of economic globalization,and cultural diversity,we must acknowledge that oil paintings can not lose the nationalities' meaning and territorial characteristics;besides,what kind of inheritance we will leave.Thereby,the exploration and research of territorial questions must be a tendency and tide.In the process of finding newnationality,territory,let Chinese traditional culture borrows western oil painting as intermediary to create an art style and art value which belong to us.Chinese oil painting's territory characteristics are distinct,and can be divided into several aspects including northeast theme,Gangnan theme,loess theme,northwest theme and so on.At present,the explorations of territorial oil paintings can be generally divided into two aspects: one starts from a whole country's territorial range angle,from northeast to Gangnan,Yungui to northwest to find typical territorial theme for analysis,or do comparison analysis between north and south territorial characteristics and art features;another one is to take a territorial range as start point,explore and analyzes the art features under the influences of this area,involving provinces like Yunnan,Guangxi,Xinjiang,Anhui and so on.While for the Shanxi oil paintings,the studies is very few.In this paper,the involving loess plateau refers to the loess area in eastern loess plateau in Shanxi border.This thesis takes Shanxi landscape oil paintings as main research object,and Shanxi territorial features as start point,adopts literature analysis method,case research method,and field visit method and so on,analyzes and studies Shanxi territorial questions from three aspects of creation topic,art style,and art language.In addition,author also arranges detaily the development vein of modern Shanxi oil paintings,to provide a necessary historical materials support for the development of Shanxi oil paintings;analyzes and studies the territorial features of Shanxi area,to base a territorial theory support for follow-up studies;at the same time,summarizesand concludes the values and significance of territorial questions studies.In the process of globalization,finding our own territorial and nationality's art features seems extremely important.This can form a territorial art performance of Shanxi's unique territorial features,drives Shanxi territorial culture's diffusion and development,forming a brand culture of Shanxi region features;it also provides a theory support for Shanxi oil painting's integrated development,promoting Shanxi oil paintings nationwide and worldwide. |
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