The Study Of Song Dynasty Ci Poetry In The Ming Dynasty

The study of Song Dynasty Ci Poetry is the center of the Ci Poetry study of Ming dynasty.With the increasing emphasis on the study of Ci Poetry in Ming dynasty,more and more related achievements have been made on the study of Song Dynasty Ci Poetry in Ming dynasty.Based on the research results,this paper carried out a systematic study of Song Dynasty Ci Poetry in the Ming dynasty,with a view to forming a comprehensive understanding of the study of Song Dynasty Ci Poetry in the Ming dynasty,and delineating the general appearance of the study of Song dynasty Ci Poetry in the Ming dynasty,and thus playing a positive role in promoting the study of Ci Poetry in the Ming Dynasty.This paper consists of the introduction,the eight chapters,the conclusion and the appendix,etc.The introduction part mainly explains the concept of Song Dynasty Ci Poetry in Ming dynasty and the reasons for its formation,and the research status of it in Ming dynasty.The first chapter discusses the history of Song Ci in Ming dynasty.Since the Ci is believed to be flourishing in the Song dynasty,in the history of the development of Ci Poetry,some are based on the Song Ci to trace back the origin of the Ci body.Some are based on Song Ci as the main reference object to make a judgment on its rise and fall.Some puts Song Ci in the large literary environment of poetry,prose,music,science,calligraphy,folk songs,from the perspective of the history of literature development,positioning,thus forming the research on the history of the Ci for the center with Song Ci.The second chapter discusses the study of Song Ci style in Ming dynasty.In the study of Song Ci,the author creatively put forward the concept of "Graceful" and "Bold" in Song Ci style.Based on the character of the Song Ci,the concept of "Authentic" and "Variant" is further proposed.The main purpose is toshow their good taste and aesthetic taste in the style of Song Ci,and to seek theoretical support for them.But,as well as about "Graceful" and "Bold" and "Authentic" and "Variation" is put forward and the concept of important representative as well as the formation of aesthetic taste,has experienced a long developing process,and significant changes have taken place in the process.The third chapter discusses the study of Song Ci in Ming dynasty.The study of Song Ci in the Ming dynasty was based on the inheritance of the ideology of the Song dynasty and divided the Song Ci into two groups.But,as the Song Ci sent consciousness in the Ming dynasty most of the time are not consciously,because they are often on other issues when indirect from the side showed the tendency of the school,rather than specifically asked,so its style will be divided into two parties of Ci Poetry of the Song dynasty had been clearly put forward until the late Ming dynasty,but relatively shallow understanding.And,as though in a graceful and restrained with unconstrained Ci are obvious style will be divided into both sides of the consciousness of Ci Poetry,but never points out the names of two sides,thus the faction of Song Ci and consciousness in a concept of fuzzy state for a long time.Therefore,the Song Ci ideology in the Ming dynasty is still in the stage of growth,which needs further development.The fourth chapter discusses the study of Song Ci's factions in Ming dynasty.This paper mainly selects the human cases of Su Shi,Qin Guan,Li Qingzhao and Zhu Shuzhen,Yue Fei and others to analyze and study the influence of them in the Ming dynasty.The fifth chapter discusses the selection of Song Ci in Ming dynasty.The selection of Ci in Ming dynasty was mainly centered on Song Ci,which reflected the important thoughts of the Ming dynasty Ci Poetry.This paper selected the Cao Tang Shi Yu,Zhang yan's Cao Tang Shi Yu Special Record,Yang shen's Ci Li Wan Xuan and Bai Bei Ming Zhu and Lu yunlong's Ci Jing.To reveal the choice and evaluation of Song Ci in Ming dynasty.The sixth chapter discusses the study of Song Ci rhyme in Ming dynasty.Due to the loss of Ci music,for the need of creations,theMing dynasty people summarized the rules and requirements of the Song Ci rhyme,formed a certain insight and ideas,and laid a solid foundation for the emergence of the Ci rhyme book.The seventh chapter discusses the study of Song Ci Poetry thought in Ming dynasty.In the Ming dynasty,on the basis of absorbing and inheriting the former literary thought,the Song Ci developed and innovated in many ways,and formed the distinctive thought of Song Ci.Such as the formation of the concept of " Ci history",the widespread use of "Ci is like author" in the criticism of lexicology,and the change of aesthetic style from respect for elegance and anti-vulgarity to vulgarity.The eighth chapter discusses the gain and loss of Song Ci Poetry in Ming dynasty.This paper summarizes the study of Song Ci Poetry in Ming dynasty and points out its achievements and shortcomings,as well as its influence and significance on the development of later Ci Poetry.Finally,the conclusion.This paper summarizes the main viewpoints of this paper: Song Ci Poetry is very prosperous in the Ming dynasty,and is the center of the study of Ci Poetry in Ming dynasty.The Song Ci Poetry in the Ming dynasty has achieved remarkable achievements in the study of Song Ci's history,Song Ci's style,Song Ci's factions,Song Ci's writers,Song Ci's selection and Song Ci's rhythm,eic.The study of Song Ci Poetry in the Ming dynasty is of great significance to the development of Ci Poetry.