The Practical Attribute Of Chinese Modern Literary Criticism Research

Chinese Modern Literary Criticism and the development of Chinese modern society and history complement each other,they are mutually dependent and unified in the great practice of the historical development of Chinese modernization.Whether it is the principal identity of critics,or the construction of literary Theory Criticism,they involve in the process of this particular practice.At the same time,the life,personal experience,literary standpoint,ideas and critical practice of the critics constantly adjust the value orientation and practical direction of criticism that is to cooperate with the development of modern society and the demand of realistic context,in this particular historical practice that is mutual blended of developing process of Literary Criticism with the modern society and history,and it fully represents the characteristics of social value,etc,which can be found in the Literary Criticism Practice of different historical periods.So,the essential attribute of Chinese Modern Literary Criticism must be practical.Theory of Marxism Practice is the theoretical basis of Chinese Modern Literary Criticism Practice,Chinese Modern Literary Criticism Practice also launches under the support of Theory of Marxism Practice.The essential characteristics of the attribute of Chinese Modern Literary Criticism Practice depends on its social value.It is necessary that Chinese Modern Literary Criticism Practice carries a series of essential characteristics which is related to the practical attribute,such as sociality,purposiveness,interestedness,practicability,instrumentalism,and realism,in the process of the modern development of Chinese society and history,especially in the context of the political struggle and social revolution of the particular national crisis.That is to say,The relationship between social discourse and Modern Literary Criticism is a kind of practical mutual constitution,The social context of the specific historical period not only constitutes the practical demand of Chinese Modern Literary Criticism,but also leads to the modernity occurrence of the essential attribute of Chinese Modern Literary Criticism.Thus,The assimilation of theoretical resources from the practice of Chinese Modern Literary Criticism is also a kind of practical acceptance,for example,the inheritance of“Writings are for conveying truth” that is the classical theory of traditional ChineseAncient Literature is a kind of conscious continuation of practical attributive standpoint by Chinese Modern Literary Criticism,and insists on the methods and ways of practical principles of “mechanical borrowing without thought of appropriateness” for ourselves to the reference of coming in a throng of various Western Literary Thoughts.In the Chinese Modern Literary Criticism Practice,what happens first is the practical transformation of the principal identity of Chinese Modern Literary Criticism.Most of critics of Chinese Modern Literary devote themselves who set an example by personally taking part to the revolutionary practice of the transformation of society and history,compared the concern about “knowing” of Chinese ancient intellectuals and the commanding attitude of intellectuals in the western world,aiso to a certain extent,it constructs the historical transformation of Chinese modern intellectuals,certainly including the principal identity of Modern Literary Criticism,from “knowing” to“doing”.Focusing on problems is the main performance of occurrence from the practical attribute of Chinese Modern Literary Criticism,many oncoming problems which makes Chinese Modern Literary Criticism focus,solve and answer in the developing course of the modernity of Chinese society and history.Many controversy and genre of literary thought are all very typical problem oriented criticism in the history of Chinese Modern Literary,it is just that controversy of literary thought conspicuously manifests in different ideas,the mutual contradictory of different literary tendency and game competition.but the genre of literary thought seems to be more focus on discussion of internal regulations in the developing course of literature,also pays more attention to the discovery of criticism subject and the problem oriented solution in the process of criticism.The practical attribute of Chinese Modern Literary Criticism determines that its critical form must be a kind of social criticism.It must be duty-bound to assume the historical and political mission of initiation and salvation.It must maintain a close and complementary relationship with objective reality,It is necessary to clearly show the distinctive characteristics,such as Ideology,Reality and Politics in the face of mental burden from Chinese thousands of years of feudal culture and ethics,and the historical responsibility of vital importance of the country and nation.At the same time,experiential criticism goes into the practice of criticism from the field of vision of life experience that is ignored by social criticism,it emphasizes that Literary Criticism should reflect social life and analyze literary phenomenon by self-consciousness and spiritual experience of critics themselves.This kind of experiential criticism is not only a kind of contradictory existence which is opposite to the problem oriented criticism,but also makes up some shortcomings of the problem oriented criticism by its special existence of perceptual form and artistic charm,thus to constitute dynamic structure together in the course of enlightenment and development of the modernity of Chinese Literature by the mutual tension between each other.Practical attribute of Chinese Modern Literary Criticism highlights distinctive features of Chinese Literary Criticism,it demonstrates the functionality and value again of Chinese Literary Criticism,and it has rich connotation and abundant vitality,in a sense,it lays the fundamental mode of Chinese Modern and Contemporary Literary Criticism and even becomes the guiding direction,and it provides important practical guidance and model template for the development of Chinese Contemporary Literary Criticism in the period of historical transformation.