On Creation Of The Contemporary Post-1970s' Poetry

The analysis of the contemporary Chinese poetry through the intergenerational dimension in the sense of time began with the study of the post-1980s' generation.Even though before this generation of the poets entered the field of the study,at the same way the poets of the post-1960s' generation who also rose after the third generation of the obscure poem have achieved relatively more outstanding creative achievements and have received strong repercussions.But if we lay emphasis on judging it from the perspective of the similar ideas and behaviors,as the poetic creators,the post-1970s' generation does indeed have the more prominent and unneglectable intergenerational feature.From the basic aspect of the creation,the post-1970s' generation inherited the oral feature of the third generation,and the weight of works on the ordinary people and the daily life is quite heavy.In this basis,he post-1970s' poetic destiny has a certain breakthrough related to the third generation and the oral poetry of the 1990s through the intellectual concerns about the public life and the aesthetic integration of the nature and existence.This generation has been able to fully enjoy the freedom of the consumption and entertainment brought about by social change after growing up.The historical context of the post-revolution,the increasingly diverse modern life and the social and cultural climate of the public noises has strong influenced their emotional attitude and values.As a result,they interacted with the "afterglow" of the red age they felt during their childhood.They formed their unique way of the survival and creation.The post-1970s' poets actively used the traditional media and private publications.The number of the self-edited poetry published was large,and they were extremely good at making use of the emerging media.They took the opportunity to promote their images at the beginning of the internet era.The post-1970s' generation not only exited and develop in the field of the culture and the education like the senior poets,but also became better at the art activities of the cross border,even many of them engaged in the other fields that were completely unrelated to the poetry.The identity of the generation of the poets has become diverse and complicated.Taken together,as the first generation of“the children of the reform and opening up",the post-1970s' poets did have fully experienced the improvement of the material standards of living brought by the market-oriented tide,and therefore directly felt the spiritual impact.Because of the poet' s keen sense,the serve social transition will of course deeply affect their creation and make them suffering from the embarrassing situation to endure more excited thought fission.Therefore the paper takes the post-1970s' thought of the poetic creation as the research subject to discuss and analyze on the poetic ideas and the ideas of the generation with the help of the social and historical context.At the same time,we use the more detailed text analysis to prove it.In the introduction part,we review and analyze the background of the post-1970s' poetic creation,which emerges from the earth' s surface.The historical process of the appearance and naming of this generation' s poetic creation was launched.And then it trances back to the relationship between the post-1970s' poetic thought and the obscure poetry,the third generation and spoken poetry the post-1970s in the pedigree of contemporary poetry.Based on this premise,we make the post-1970s' poet as the special spiritual subjects to have stated the ideas and pattern of the basic structure of the paper.We have completed the review of the previous study and illustrated the value of the paper.The first Chapter focuses on the old dream and pays close attention to the thinking and questioning on the public life of the post-1970s' creation.Athough they generally matured in the trend of market—oriented reform,the experience of which arrives in the world at the end of the radical revolutionary era is the spiritual background that this generations of the creators can not ignore.As the political movements that once occupied almost all the space of the Chinese people gradually became strangers to the contemporary life,it seems that the modernization of the new enlightenment and the literature of new era once looking forward to has finally come true.However,the reality of removing publicity has not allowed the poets of the post-1970s'generation to settle down.The red discipline in their memory that has been blurred,to a certain extent,represents the construction of a more ideal and perfect individual and social activities,and is closely related to the pursuit of virtue that should be preserved by everyone in the sense of political philosophy.The role of this pursuit makes the Post-1970s' poets enthusiastic about the words of the square.This space with strong symbolic meaning condenses the creators' appeal of the generation for public activities.Thus they actively express the spiritual experience in their current real life.The second chapter focuses on the daily narration of post-1970s' generation.Since it is impossible to find a spiritual home in the superficially prosperous social reality,the inheritance of the daily narrative of the third generation and the spoken poetry of the 1990s by this generation of poetry is confronted with a certain question:how can we make our daily observation have irreplaceable poetic and ideological qualities?Perhaps the post-1970s' generation did not propose a more appealing proposition than the obscure poems and the third generation,but they expressed more confused feelings from the daily writing.Thus it shows the significance of the previous principle of the planarization of oral writing to the current historical context as a question.Through the textual interpretation and ideological analysis,we can see that the post-1970s' generation has no simple repetition of the third generation' s meaning.The high-speed changes of the times finally had made Chinese-style modernization penetrate into the specific details of every Chinese people' s lives.The social reality of the lack of more open public activities and higher moral pursuit has exposed the bad consequences of the lack of meaning and value.The post-1970s can not face this nihility without seeking the construction of meaning.For this reason,they have practiced a lot of natural reflections which are different from the previous poetic creation,thus exploring a possible path for their own introspection and exploration.The third chapter takes the post-1970s' body writing as the main object of investigation.Unlike the other ideas and creations,the post-1970s' body poetics showed a very fierce appearance with the help of the lower-part body poetry movement.This way of declaring the hurricane approach has caused great criticism.However,in connection with the exploration of the meaning of daily narratives,the post-1970' s body writing actually contains profound torture of the empirical basis of contemporary people."Poetry to the flesh"is not only a means of legitimizing the catharsis of desire,but also provides a substantial basis point for the non-valuable and meaningless essence of life.Of course,the nature of human beings because of its inborn deficiencies can not assume the responsibility of reconstructing the belief world.By showing the body' s desire for"light," the lower-part body is also expressing its vision of pursuing a super-sensitive world based on the nature of human beings.Unfortunately,as far as the lower-part body is concerned,the vanguard attitude based on destructive impulses still limits their ideas and ideological construction,so that it is impossible to rest on the various criticisms of physical poetics after 70 years.The fourth chapter takes Hu Xu-dong and Jiang Tao as typical cases,and focuses on the poets who inherited the intellectual writing ideas of the post-1970' s years.These young poets who are in the college and have long been created have deep academic foundation and sharp creative style.Although they have scholar status,the formal characteristics of their works are inextricably related to oral poetry.They not only express the lively spirit of banter,but also reflect the profound and specific feelings,descriptions,and reflections on personal life.The most important and noble mission of a knowledgeable person is to dare to be separated from the environment in which he is living and to pursue the truth.Although the poet should bear the responsibility of criticism in the face of the changes of the times,rational consciousness is the premise for the development of this responsibility,and true knowledge is the fundamental to ensure the realization of this responsibility.Therefore,the strong practical concern of poets such as Hu Xudong and Jiang Tao does not constitute a language practice limited to life portraits.On the basis of deviating from the grand narrative,we use the exploration of another experience space.The knowledge writing of the post-1970s has effectively completed the integration of sociological vision,daily themes,colloquial forms and philosophical thinking,and has shown gratifying creative achievements.Under the condition that the classical of modern new poetry is not perfect,it is difficult to find appropriate organic reference for the post-1970s' poetry which is still in the dynamic development.Moreover,the poetry of the post-1970s is still faced with the dilemma of diminishing readers and failing of "literary public domain" after literature is marginalized.For this reason,we should read his works,understand his living conditions,and set aside preconceived value judgments so as to better comb out his creation and frame his value in the history of poetry and the broader social context.The attempt made in this paper is for this purpose.