From School Song To Rock Music:A Study Of Language Drifting In Songs-Poetry

The study of "Songs-Poetry" is a meaningful thing.It is in the intersection of literature and music.Unfortunately,the history of literature and music often only pay attention to the familiar parts when discussing them,which makes the original integration of "Songs-Poetry" a break in research and interpretation.This paper attempts to study the poetic generation and expression system of "Songs-Poetry" in China in the 20th century,in order to find the possibility of poetic communication between disciplines."Language drifting theory" is the methodology of philosophy of art(poetics)proposed by contemporary poet and scholar Lisen.This theory holds that the stability hypothesis of the trinity of language,mind and the world is doubtful.Language is neither metaphysical nor metaphysical,but is in a state of "neutral-physical" independent existence.It is also a philosophical concept put forward by Lisen.Language constructs the mind and illustrates the world.It is the form of "Songs-Poetry".However,language is unstable and non essential.It is in a state of drifting.If we admit that the birth of poetry originates from the allocation of language,poetry will drift along with the drifting of language.The overall framework of this paper is from the structural integration to understand the "Songs-Poetry" as a whole,from the identification to analyze the "Songs-Poetry"configuration of the community,from the language drift to explore the "Songs-Poetry"across many areas.In this discussion,"Songs-Poetry" language can be divided into two parts.One is static text,the other is dynamic performance.The text mainly involves lyrics and music,and the performance mainly involves singing.It is necessary to make a technical analysis of them,but the core issue is to study their changes and poetic generation.The author will take the development of Songs-Poetry in the twentieth century of China as a clue to select representative works for discussion.Modern Chinese Songs-Poetry were invented in the School-Songs filled with words according to the sound.The social changes in the late Qing Dynasty and the introduction of western music changed the existing language configuration.The modernity of music enables people to hear new "Songs",In the New Culture Movement and the May 4th Movement,the popularization of vernacular has changed the mode of language allocation in classical poetry.Patriotic salvation and democratic science have become the main theme of the times.The modernity of literature enables people to see the new of"Poetry".When Songs-Poetry developed into the 1930s,it is noteworthy that urban development and technological progress promoted the change of the language of Songs-Poetry.The modern Shanghai culture has given birth to the commercialized pop Song-Poetry,making it a public entertainment product.The development of audio films,especially left-wing films,has made Songs-Poetry a thematic ideological product.The two products show different systems of values that operate on their identified track.By the time of the Anti-Japanese War,Yan'an had become a singing city,and the creative practice of red Songs-Poetry and revolutionary Songs-Poetry had built a spiritual home for the Chinese nation at the time of its survival.Among them,the birth of Yellow River Chorus is the classic of modern Chinese Songs-Poetry creation,its language configuration has become the mainstream Songs-Poetry benchmark.After the birth of new China,the language of Songs-Poetry has undergone important adjustments.The literary and artistic view of the new democracy and the guiding ideology of "letting a hundred flowers bloom" and "a hundred schools of thought contend" have led the socialist practice of Songs-Poetry.The writing of carols,hymns and Songs-Poetry of ethnic minorities play an important role in the consolidation of political power,national unity and cultural identity.The outbreak of the Cultural Revolution brought the Songs-Poetry into a low ebb.In the ultra-Left trend of thought,the simplification of its language became a tool for political propaganda.Due to the content of this part is very complicated,it has little to do with the poetic problems discussed in this topic,so it is not discussed separately.In the 1980s,Songs-Poetry returned to the track of sound development,popular Songs-Poetry,patriotic Songs-Poetry,national Songs-Poetry in the historical transformation showed a new look.The poetry of Hongkong and Taiwan enters the mainland through various channels.The fusion of song and poetic language has injected vitality into its innovation,and its poetic drifting path is more diverse,which shows the spirit of the new era.At the turn of the 1990s,Guangdong province became the forefront of reform and opening up.The rise of Lingnan music group led the trend of the times.The birth of New Century music and the rapid development of rock and roll music reflected the richness of Songs-poetry in the multi-cultural collision.In short,the development of Chinese Songs-poetry in twentieth Century was carried out in language allocation and poetic drifting.From School Song to Rock and Roll,we can see the functional selection of poetry and aesthetics and the spirit of the times.The discussion of language drifting from lyrics,music,and performance is a useful dialogue between disciplines,as well as an exchange between the mind and the world.As the Language drifting theory says,language itself is not fixed,static,it drifts in the direction of direct reporting,rhetoric illusion,pure form,ideology and so on in the evolution and extension of time and space.In this process,poetic creation has blossomed its own light.