Research On Production Mechanism Of Cultural Space In Intangible Cultural Heritage Tourism Streets

The new Marxist theory of space production provides a classical analytical paradigm for studying complex social space phenomena,leading the "space turn" of Marx's historical materialism and social critical theory,and is the result of contemporary theoretical construction that reflects on the issue of spatial modernity in the context of globalization and urbanization.The political economics critique of the theory provides a good interpretation perspective for the analysis of spatial production problems,and the ethical reflection on spatial alienation and spatial justice guides the distinct spatial value orientation.The application of the theory of space production to the field of tourism has become one of the academic focuses,while the practice of non-legacy tourism has opened up new directions.The intangible cultural heritage(ICH)tourism practice activities have produced the social structure of the tourism space and the spatial relationship of the society,which constitutes the microscopic space field and social context of space production.As a characteristic ICH tourism type that relies on historical and cultural blocks to carry out landscape development and industrial operation of ICH resources,the ICH tourism block is the externalization object of symbolic construction and cultural representation of ICH elements.In the rapid process of urbanization strongly promoted by industrial civilization,it faces the social facts of development,transformation and renewal,which is manifested in the new production practice of the ontological attribute of "cultural space".Under the philosophical perspective of space production,analyzing the production process and production mechanism of cultural space in ICH tourist districts is conducive to interpreting the essential laws and influence mechanisms of cultural space social construction,exploring the lack of ethical spirit expression and "alienation"of cultural space production,and thus examining the spatial justice of ethical demands for space production.This has important implications for the production model and spatial justice of the practice of ICH tourism space.From the perspective of "three-dimensional dialectics of space",this dissertation selected two typical cases of Tunxi old street in Huangshan city,Anhui province and Dashilan street in Qianmen,Beijing,according to the logical structure of'cultural space ontology,elemental conditions,theoretical framework of production mechanism,spatial ethical appeal,spatial entity interpretation,production effect summary,spatial justice review,production model and ethical strategy",from the aspects of spatial reconstruction,spatial representation,spatial operation,spatial effect and effect summary,the production mechanism of the "three-in-one" cultural space in ICH tourist blocks was deeply discussed,and the problem of spatial production injustice and"alienation" was made.And then thought about ethical strategies to achieve spatial justice.In terms of research methods,the questionnaire survey method was used to obtain the evaluation results of tourists and local residents on the production effect of cultural space.It collected 360 visitor questionnaires from Tunxi old street and 300 local residents;262 tourist samples and 306 local residents in Qianmen Dashilan.Using the in-depth interview method to conduct structured interviews with spatial multi-stakeholders,the production status,problems and social feedback of cultural space were more comprehensively learned.The study is divided into eight chapters.The first chapter is the introduction,explaining the background and significance of the topic,research status at home and abroad,research ideas and methods,research plots and major innovations.The second chapter is conceptual explanation and theoretical basis.Defined the relevant core concepts,explained the philosophical context and analytical paradigm of the spatial production theory "space turn",and traced the source of stakeholder theory.The third chapter is the structural elements and the evolution of time and space in the cultural space of ICH tourist block.Explained the ontological attributes,connotation extension,elemental conditions and external features of cultural space,and interpreted its social evolution from the dual dimensions of history and space.The fourth chapter is from production mechanism to spatial justice:the ethical appeal of cultural space production.Starting from the production attribute and social attribute of the cultural space,the paper summarized the relationship between it and the social relationship and the construction of social order,and proposed the analytic framework of the production mechanism of the cultural space.The structural elements of the production mechanism were summarized from four dimensions of explanatory model,structural strength,behavioral subject and social relationship,which are logical framework,dynamic mechanism,interest subject and relationship construction.The demands of space justice include the equality,humanity and diversity of cultural space,and the realization path integrates two aspects of "macro" and "micro".The fifth chapter is a typical case analysis of the production of cultural space in the ICH tourist districts in China.From the perspective of micro-space entity interpretation,this paper analyzed the process of reconstruction,representation,operation and effect of space production,and refined and compared the production mechanism of cultural space in different blocks.The sixth chapter is analysis of production results of cultural space in blocks.The evaluation of the perceptual effect of multi-space stakeholders was carried out,and production results of the "three in one"cultural space were summarized.The seventh chapter is a spatial justice review of the cultural space.Examining the injustice of cultural space production,reflecting on the lack of ethical spirit and the phenomenon of "alienation" constructing a rational cultural space production model and ethical strategy.The eighth chapter is the conclusion and outlook.Summarized the core conclusions of this paper and pointed out the lack of research and prospects.The main conclusions include:(1)"material-geographic space","social-consumption space" and "spirit-intention space" constitutes the production framework of the "trinity" cultural space of ICH tourist blocks,corresponding to "space practice",“representation of space" and "space of representation."(2)"cultural space" as a means of production,can continue to produce and reproduce,production social relations and the relationship of production.It is the result of structural forces such as capital power,government intervention and social movements,and is the process of social construction.(3)From the perspective of production logic,the production of the cultural space of the ICH tourist block follows the production logic of government-led,capital proliferation,social class response and post-modern consumerism,embodied in spatial capitalization and capitalization,institutional design and administrative dominance,social identity recognition and feedback,and the integration of“locality" and"globalization".(4)The internal motivation of capital proliferation,the external power driven by power,and the feedback power of class response,constitute the "three major"dynamic mechanism for the production of cultural space in the block.(5)The cultural space of the block forms a social network of stakeholders,reflecting the spatial equity game of multi-stakeholders such as local governments,operation managers,ICH inheritors,residents,merchants and tourists.The multi-open social structure,the heterogeneous interpersonal relationship of flow and the industrial form of blossoming constitute the social relationship of cultural space.(6)The equality,humanity and diversity of cultural space are the basic demands of space justice.The injustice of the production of cultural space in neighborhoods is manifested by the inequality of spatial production process,the contradiction between the logic of capital homogenization and the needs of the use of social people,the inequality of space resources,the uneven use and distribution,and the ethics dilemma of spatial differentiation and segregation.(7)The lack of spatial ethical spirit is reflected in the dissolution of traditional ethical concepts,the lack of humanistic spirit,the utilitarian moral evaluation standard and the materialization of space,resulting in "alienation" issues on the dissolution of "the world of daily life",the”space aphasia" of the residents,the“staged reality" of the ICH tourism,the constructive destruction of the historical space and the imbalance of the space business structure.(8)In the production mode,it should adopt the spatial renewal model of organic renewal,the”live" inheritance model of integration and innovation,the "bottom-up" community participation model,the original daily life pattern and the overall cultural ecology.The ethical strategy of constructing the value awakening of spatial subject consciousness and the value of spatial production order is the fundamental point.