Research On The Quatrains Commenting On Ci-poetry In The Qing Dynasty

Quatrain commenting on Ci-poetry is to comment on Ci writers,Ci works and Ci style in the form of quatrains.Because the quatrain isn't long,and the content of it is limited,the theme of quatrain is concentrated and concise.Quatrain commenting on Ci-poetry is mainly to comment and appreciate a certain Ci writer or a certain collection of Ci poem,or to express the author's feelings and thoughts after reading,or to put forward the author's own opinions on a controversial issue of Ci poetry.At present,the earliest poem commenting on Ci-poetry we know is Liu Kezhuang's poem "after the Ci-poetry written by himself".Liu Kezhuang's poem reflects the new change on the concept of Ci in Southern Song Dynasty,and it is the start to use poetry to comment Ci.However,there are only several authors of Quatrain commenting on Ci-poetry in Jin Dynasty to Ming Dynasty,such as Wang Zhongli,Yuan Haowen and Yuan Huai.Until the Qing Dynasty,the creation of Quatrain commenting on Ci-poetry reached its peak.It is related to the development of literary concept and creative practice in Qing Dynasty.Expanding the express scope of verse literature as much as possible,it was the Qing people's choice in the face of the development of classical literature in Qing Dynasty.Apparently,this consciousness of seeking innovation is surrender or concession to the literary tradition.However,the choice to open up new realm through other fields has in fact given birth to the requirement and possibility of the breaking of literary tradition.Driven by the thought of breaking a new realm,the literati in Qing Dynasty entered into the fields of opera and novels which are different from the mainstream of literature;on the other hand,they tried to create new contents with their familiar literary forms.It is the background of the rise of quatrain commenting on Ci-poetry.This paper aims to explore literary value and theoretical value of the quatrain,and explore the Ci concept and creative psychology of literati in Qing Dynasty,which has the dual characteristics of poetry text and Ci theory.In the introduction part of this paper,the author reviews the research status of quatrain commenting on Ci-poetry,and summarizes the significance and research ideas of this paper.The generation time of quatrain commenting on Ci-poetry is earlier than that of quatrain commenting on Shi-poetry,and the influence is greater.On the change of quatrain commenting on Ci-poetry from occasional creation to relatively stable form,which is from commenting on poetry to commenting on poetry,opera and Ci in the form of poetry.Therefore,the quatrain commenting on Ci-poetry is a logical development of the quatrain commenting on Shi-poetry.In the first chapter,on the basis of the historical stages of the development of quatrain commenting on Ci-poetry in Qing Dynasty,the author tries to point out the dominant theoretical form and ideological tendency in each historical period,so as to realize the historical cognition and construction of quatrain commenting on Ci-poetry within the framework of Qing Dynasty literature and Ci theories.At the beginning of Qing Dynasty,the mainstream of the ideological circle was still to criticize on Wang Yang Ming's theory in Ming Dynasty.As far as Ci studies were concerned,it was also an important opportunity for the development of the new style of Ci to sweep away the showy and vulgarity characteristics of Ming Ci.Accordingly,the main contents of quatrain commenting on Ci-poetry in early Qing Dynasty were criticizing Ming Ci,evaluating ideological circles and reflecting the acceptance of Ci from previous dynasties.The quatrain commenting on Ci-poetry in the middle and late Qing Dynasty is closely related to the successive rise and rise of Yang Xian,West Zhejiang and Changzhou schools of Ci.Because the profound influence of CI schools in different historical periods has radiated to the content and tendency of the creation of quatrain commenting on Ci-poetry."Ci history" and "sustenance" were not only the keys to understand CI studies,but also the key to understand quatrain commenting on Ci-poetry in late Qing Dynasty.On the one hand,the creation of quatrain commenting on Ci-poetry about region woman and contemporary writer had gradually form scale;on the other hand,the creation of quatrain commenting on Ci-poetry in late Qing Dynasty had gradually shown the trend of returning from Ci study to literature.In the second chapter,the author explores the role of external factors and internal factors in the formation and development of quatrain commenting on Ci-poetry from the perspective of creative subject and creative psychology.The creative subject of quatrain commenting on Ci-poetry presents diversified characteristics.Due to the difference of subject identity,Ci school characters,literati,Ci masters and Ci anthologists also have their own emphases in the content and form of poetry when they are writing on Ci poems.From the perspective of creation psychology,from the perspective of creation psychology,the creation of quatrains commenting on Ci-poetry with the titles of "drama","mixed feelings" and "accidentally formed",has eliminated the seriousness and tension of the positive criticism of contemporary figures,through promoting viewpoints informally.The Qing dynasty was a time when erudite valued talent,that quatrains commenting on Ci-poetry is talking about Yi and Tao in short highlights the individual knowledge and poetic skills.The quatrains commenting on Ci-poetry is the product of the author's literary activities such as reading and commenting on Ci,which reflects the literati's cultural psychology in Qing dynasty,which seek elegance and avoid vulgarity.In the third chapter,the author focuses on the creation of quatrain commenting on Ci-poetry from the perspective of case analysis.Li e's quatrain commenting on Ci-poetry not only reflected the Ci thoughts of the West Zhejiang Ci School,but also had the creative function to the use of quatrain commenting on Ci-poetry.He had an important position in the development history of quatrain commenting on Ci-poetry in Qing Dynasty.Song Xiang feng's complex way of interpreting Ci poems was not only the model of Changzhou Ci School's way of interpreting Ci poems by new text Confucianism,but also the key link of quatrain commenting on Ci-poetry's transformation from style comment to meaning interpretation.Among the writers of quatrain commenting on Ci-poetry in Qing Dynasty,Tan Ying's quatrain commenting on Ci-poetries were the first in terms of quantity and scale.In addition,Tan Ying and Pan Feisheng used quatrain commenting on Ci-poetries to construct the history of Ling Nan Ci,and it had positive significance to broaden the critical function of the poems.In the fourth chapter,the author analyzes the literary value of quatrain commenting on Ci-poetry.On the basis of drawing lessons from the traditional artistic and critical techniques of poetry,the authors of quatrain commenting on Ci-poetry in Qing Dynasty explored and formed a unique aesthetic form of the poems.On the reference of artistic techniques of poetry in the quatrain commenting on Ci-poetry is mainly embodied in the language form of quotation,the artistic conception of metaphor,and the aesthetic characteristics of the combination of emotion and reason.To some extent,the creation practice of quatrain commenting on Ci-poetry refutes the view that quatrains are lack of literariness because of "taking comments as poems".In the fifth chapter,the author analyzes the theoretical value of quatrain commenting on Ci-poetry.This part mainly starts from two aspects including theoretical content and stylistic concept.As far as the theoretical content is concerned,comments about the origin,the style and the appreciation of Ci are three major contributions of quatrain commenting on Ci-poetry to the Ci study in Qing Dynasty.In addition,it also reflects the problem of “style crossing " in Ci study.Specifically,this problem can be divided into the combination of poetry and theory,and the combination of poetry and Ci.Exploring and discussing the "style crossing" problem of quatrain commenting on Ci-poetry can deepen our understanding of the comprehensive features of Ci study in Qing Dynasty.