A Study On The Singing Of Modern Khorchin Short-tune Folk Songs

Khorchin Short-tune Folk Song(bogunidaguu)is a sort of folk music that spreads in Mongolian region in modern times of China.It is also a concept of Mongolian folk songs which derived from long tune.The cause lies in its deep connection with multicultural communications in half-rural and half-pastoral areas where the Han people and the Mongolian people live together.Its structure is short.The rhythm is bright.The theme is numerous.Viewed from the diachronic development of short-tune folk songs,mountain forest hunting and grassland nomadic culture are the foundation of its formation.Based on the material of the first-hand research from the field investigation and literature research,with the modern Khorchin short-tune singing as the main part,combining the changes of the multicultural background short-tune singing,the paper also makes an investigation on the short-tune folk songs singing methods,instruments and related issues such as the content,the style of folk songs,etc.On the basis of the effective theoretical knowledge,such as aesthetics,poetics,sociology,ethnology,the paper explains the inner connection between the generation of short-tune folk songs and Khorchin cultural ecology.The paper is divided into six parts.Introduction mainly elaborates the research origins,status,purposes,values,methods and the definition of Khorchin short folk songs.Chapter one focuses on the relationship between Khorchin folk songs and the natural environment.Furthermore,the development history of the hunting culture and grassland nomadic culture of the Khorchin mountain forest is also discussed,and the inner relationship between the evolution of Khorchins short-tune folk songs and the singing emotion is elaborated.Chapter two,based on the farming culture of the modern villages of Khorchin,discusses the causes of short tune in content,style,form,language and singing concept.Chapter three discusses the art of short-tune folk songs from the perspective of semantics,rhetoric and poetics.Through observation and experience combining the views of professional singers,the singing methods such as breathing,vocalization and clenching in short singing are elaborated,and the relationship between singing and accompaniment is also deeply analyzed.Chapter four mainly explains the relationship between the singer and the society.From the perspective of “man”,it is discussed that who is the singer and whom the singer issinging for.The paper also illustrates how the singer uses musical behavior to construct his of her own relationship with society in the folk custom context and ritual and how the singer makes a gesture to the audience in the singing performances with the author using images to analyze.Through the analysis of the case of folk Huurtaar,the relationship between man and man,man and history,man and society is analyzed.Chapter five,based on the theory of cultural change,elaborates the multi-cultural influence on the contemporary Khorchin short-tune,and analyzes how Khorchin short-tune inheritance,singing form,singing methods and singing ideas catch up with the contemporary society and the trend of the times and satisfy people's aesthetic taste.