Research On Artistic Conception Theory Of Chinese Traditional Art

As the spiritual core of the overall art theory of the Chinese nation,the theory of Chinese traditional artistic conception highly condenses the philosophical wisdom and valuable artistic experience of ancient Chinese civilization.As the quintessence and the highest realm of pursuit in Chinese traditional art,the status of "artistic conception" can not be shaken and replaced by other Chinese artistic concepts or theories.The theory of Chinese traditional artistic conception runs through the development process of the whole Chinese history from the germination of consciousness to the construction of the system,and combs the history of Chinese art.There is a clear context of art theory.In the long process of forming the theory of artistic conception,ancient Chinese philosophy,especially Confucianism and Taoism,provided important enlightenment and theoretical basis for the germination of artistic conception,the formation of theory and the construction of system.In the study,it is found that any concept in the theory of artistic conception can find the theoretical root in its Confucian and Taoist philosophical thoughts,which can be seen that Confucianism and Taoist philosophy have played an important supporting role in the development of artistic conception theory.The germination of artistic conception in Chinese traditional art appeared at the beginning of the late Han Dynasty.Cai Yong first introduced "boundary" into calligraphy theory,which is the first time that the word "boundary" has been used in art theory.It is about 500 years earlier than the concept of artistic conception put forward by Wang Changling in Tang Dynasty.Cai Yong's use of the word "boundary" in book theory is not only an accident.The use of the word"boundary" can be seen in the book theory,music theory,painting theory and literary theory in Wei,Jin,Southern and Northern dynasties.The first painting theorist in history,Xie he,put forward the viewpoint of "taking it out of the image",which also played a key role in the formation of the concept of artistic conception.In a sense,Xie he and Cai Yong's view Points inspired the establishment of the concept of artistic conception and the creation of theory in Tang Dynasty.Wang Changling's theory of "three boundaries" in Tang Dynasty,Jiao ran's theory of "taking territory",Liu Yuxi's theory of "living outside the situation" and Si Qantu's theory of "outside the elephant" are all related to their theoretical origins.However,it is undeniable that the concept of artistic conception in Tang Dynasty poetics theory constructed the formation period of artistic conception theory,which laid a solid theoretical foundation for the continuous development and extension of artistic conception theory.The creation of Chinese traditional artistic conception is a spiritual creation based on"image"."image" is the basis of the construction of artistic conception and the external presentation form of "image".And subjective internal emotion is an important support for the generation of artistic conception.This kind of artistic spiritual creation is mainly based on the three subjective experiences of "view","taste" and "enlightenment"."false","light" and "hidden" are the most representative spiritual cores in the theoretical system of artistic conception,all of which extend from Yi Xue,Lao Zhuang and other philosophical thoughts.And has always run through the whole ancient Chinese art practice creation and the theory evolution process.Thus it can be seen that the core experience represented by "view","taste" and "enlightenment" and the core spirit represented by "virtual","light" and "hidden" run through the core spirit represented by "view","taste" and "enlightenment".The whole context of Chinese traditional artistic conception theory has been developed into the core content and important support in the theoretical system of Chinese traditional artistic conception.