The politics of Mexican documentary distribution: Three case studies, 1988--2006

This dissertation examines the politics involved in the distribution of Mexican documentaries during the 1988-2006 period, as a way to pinpoint the factors shaping the circulation of these films. The research explores inequalities in audiovisual distribution, which have affected the circulation of Mexican documentaries in the domestic market. In my argument, I sustain that these inequalities are the result of complex political and economic tensions within the field of cultural production in a country that has entered an era of neoliberalism and transitional democracy. To narrow the scope of this study to feasible and attainable proportions, I analyze three distribution case studies applying a cultural industries approach within critical political economy, informed by Pierre Bourdieu's field theory and concepts borrowed from cultural studies.The case studies under analysis involved the documentary production and distribution of three production houses. Each of them participates in a different field of cultural production: film, video, or television. These production houses are the film company La Media Luna, the video collective Canal 6 de Julio, and the publishing and video company Clio. By examining these case studies, I highlight what is at stake when some audiovisual texts have greater access to audiences and markets than others. This is important since documentaries have helped to ensure a diversity of voices, both social and political, in the Mexican public sphere. In order to ensure this diversity, it is crucial to understand how Mexican documentaries can gain access to larger Mexican audiences. This is what this dissertation seeks to address.