| This study examines the mystery fiction of Miyabe Miyuki (b. 1960) in the context of the development of mystery fiction in Japan. In the hands of Matsumoto Seicho, Japanese mystery fiction was transformed in the postwar period: the focus of mystery fiction shifted from the puzzle-solving schema to uncovering the motives and psychology of the criminals. Miyabe Miyuki has become a master of the techniques of the genre. But she deploys them for broader purposes other than entertainment. The extraordinary popularity of Miyabe's fiction is surely due to the fact that it teaches us how to respond to, or at least think about, a chaotic world full of deception. In this sense, it represents the best of what Japanese mystery fiction has had to offer in the postwar period. Miyabe incorporates mixed genres in her mystery fiction, but her overriding concern has been the realistic depiction of her contemporary society and the social problems it faces. In this sense, she has inherited the mantle of Matsumoto Seicho. Indeed, as Japanese fiction has become more interior and consumer oriented or, much in line with what critics have called postmodernism---Miyabe's brand of mystery fiction can be seen as the inheritor of Japan's distinguished tradition of realism from naturalism to social realism. This study points out that the basic structure of most of Miyabe's mystery fiction coincides with the generic framework of mystery fiction. This observance of generic markers grounds the narrative in a clearly comprehensive and entertaining story. At the same time, however, Miyabe emphasizes characterization and motivation, which are more important in her fiction than the puzzle-solving aspect. Thus, the process of solving the crime often "teaches" the reader about real life issues: identity theft, excesses of the mass media, and so forth. Even when Miyabe incorporates mixed genres, such as, features of horror, science fiction, or fantasy in her works, she consistently uses these to the larger purpose of delineating the social problems that afflict contemporary society. |
