A Study Of The Lyrical Art Of Tang Poetry

On the basis of inheriting the lyric experience of the pre-tang poetry such as "expressing emotions through anger" and "emotional objects",tang poetry reached the peak of the lyric art of classical poetry.The evolution of the lyric art of tang poetry is a dynamic curve.The response function of the early tang poetry forced the poets to wear masks to express their emotions,and behind these masks lyric were the collective silence and absence of emotions.The poets represented by Chen Ziang broke away the mask of fake emotions and realized the breakthrough of real emotions.The scope of lyrical poetry in the flourishing tang dynasty expanded rapidly,and the poets adopted the style of no make-up lyric to freely express their inner feelings,aspirations and ideas.The poems in the middle tang dynasty added the tender description,and the poems in the rhetoric words had the lyrical characteristics of light make-up,and showed the non-poetic emotion trend at the same time.The lyrical vision of late tang poetry turned inward,and the emotional expression was more in line with the discussion.Lyrical subject in the tang dynasty is the first factor of emotional expression,they are the Gan Ye,degraded people,hermits,generals,soldiers,women and the maids of honor,they use "unity" character "role conversion endorsement body" and "dialogue" role separation such as flexible perspective of discourse to write political ideal,to record human love,to interpret natural wisdom,to release their negative feelings.In terms of lyrical ways,tang poetry created a complete set of "four categories and twelve kinds" of lyrical techniques.The direct emotion method is the direct eye contact between the emotion and the human.The method of writing emotion is the collision of emotion and scene.The method of describing emotions is the connection between emotions and things,which can be divided into the method of immediate emotions,the method of recalling emotions and the method of recording dreams.The method of discussing emotions is a combination of emotion and reason,which is divided into three parts: the method of stabbing the world,the method of chanting history and recalling the past,and the method of body and object.The lyric of tang poetry presents different artistic styles because of the restriction of poetic style.The five-character ancient poems have elegant words,with long emotional lyrical effect;The seven-character ancient poems are full of vigor and have the lyrical temperament of backbone.The five-character quatrains and seven-character quatrains exude the lyrical characteristics of xingxiang linglong and fengshen swaying.The five-character "regulated" verses and seven-character "regulated" verses have the lyrical characteristics of harmonious rhythm and undulating structure.In the case study,Zhang Ruoxu's "night of spring flowers and river flowers" is the peak of lyric art in the early tang dynasty.Li Bai,Li He and Li Shangyin gradually deepened and expanded the lyric subject,lyric image and lyric way of tang poetry.The lyric art of tang poetry is not only a kind of skill and rule,but also a kind of aesthetic value.Tang poetry has made remarkable achievements in enriching the image of lyrical heroes,opening up the lyrical world,integrating lyrical skills and expanding lyrical styles,and has exerted a profound influence on the spirit of later generations of literati,poetry creation and the development of other genres.