The Study Of Little Poetry In The 1920s

The little poetry to be discussed in this article mainly refer to the short-small free verse,which written in vernacular Chinese since the birth of the vernacular new poetry.In the 1920 s,the new poetry had just established itself.The little poetry was like a new sprout in the field of vernacular new poetry.It was fresh and tender,but it contained endless vitality.It has shown us many possibilities of vernacular new poetry,and it has had a far-reaching influence on Chinese modern poetry.The thesis takes the three representative poets of the 1920 s as the main research objects,such as Bing Xin,Zong Baihua,Xu Yunuo and their poetry.And trying to undertake a comprehensive study on the little poetry of the 1920 s.On this basis,I explored the achievements of the poetry in the 1920 s and its influence on the later modern Chinese poetry.The first chapter mainly analyzes the cause of the appearance and development of small poetry.It is inseparable from Zhou Zuoren's literary propositions and the prosperity of the modern newspaper industry.His ideal of individualism and humanitarian literature coincided with the new village idea in the 1920 s,which led to the birth of little poetry.And the rapid development of China's modern newspapers and periodicals has provided a space for little poetry to sprout and grow up rapidly.The second chapter explores the content characteristics of the poetry of the 1920 s by analyzing the representative poets and their poetry.It is believed that the love and life in Bing Xin's poetry are not only the poetic expression of sentimentality in a generation,but also the embodiment of the divine love and fraternity formed by Bing Xin under the influence of great humanism.The lyrics theme of Zong Baihua's Flowing Clouds is the nature,the universe and human.He had been considered the relationship between the three in the reference of chinese classical aesthetics and western modern philosophy.Xu Yunuo's poetry describes memory and destiny.His intention was to observe the self and reflect the reality.The third chapter analyzes the lyric structure and feature of the little poetry in the 1920 s.Its lyric structure came from the collision and fusion between the "Xing" in chinese traditional poetry and the "Symbol" in western poetry.This collision and fusion show different appearances in several major poets.The blend of sensibility and intelligence is the main lyric feature of the little poetry in the 1920 s.The poets either explore inwardly in the emotions and thoughts of the moment,or explore outwards in the metaphysical observation of the universe and nature.In short,the wisdom in poetry is one of the important values of poetry in this period.The fourth chapter is tease out the influence and change of the little poetry in the 1920 s from a diachronic perspective.It made a major contribution on promoting people to discover and express themselves.On the surface,the little poetry seems to have declined and disappeared after the 1920 s.In fact,the poetic wisdom of little poetry is still blooming in other time and space.Finally,the conclusion is to re-emphasizes the significance and value of little poetry in individualized self-expression.