Wei Jin To Sui And Tang Pipa Literature Research

The study of "lute literature" first needs to put forward the concept of literary history."Pipa Literature" is a fixed literary text generated in a specific situation based on the instrument "Pipa" through the shallow or deep communication between the literati and the pipa musicians,and through the literati's writing of the pipa.The contents of his writing include: the writing of the pipa instrument,the writing of the pipa melody,the recording and exclamation of the life history of the pipa musicians and so on.The study of "pipa literature" is easy to be confused with the concept of "pipa literature",which is related to "pipa" and includes the category of "pipa literature" as all kinds of texts with the nature of literature materials.The last part studies the concept and stages of "pipa literature",the literati's accepting mentality of "pipa literature",their friends and their influence on literary writing.The first chapter studies the stages of "Pipa Literature".Wei and jin dynasty to the sui and tang dynasties "literature of the pipa",in accordance with the time development,can be divided into:(pipa literature of qin and han dynasties)source period,developing period and intersection(pipa literature in the wei jin southern and northern dynasties),cohesion and transition period(sui and tang dynasties of the pipa literature),prosperity and development,a comprehensive period(pipa literature in the tang dynasty).The four periods of "lute literature" have their own characteristics.The Qin and Han dynasties are not the main research object of this paper,but they established the initial style of "lute literature" from Wei,Jin and Sui and Tang dynasties,that is,the harmony stories and slave mentality in the writing of "lute literature".The "pipa literature" in the Wei,Jin and Southern and Northern Dynasties can be divided into the "pipa" literature writing in the Wei,Jin and Southern Dynasties,and the "quxiang pipa" literature writing in the Northern Dynasties.In the Wei,Jin and Southern Dynasties,there were more literature writings,while in the Northern Dynasty,there were fewer about "Quxiang Pipa".But Longtou Ge,one of the folk songs in the Northern Dynasty,paved the way for the lute literature in the Tang Dynasty.This is the influence of Northern Dynasty literature on Tang Dynasty lute literature,rather than the direct influence of Northern Dynasty lute literature.The difference between lute literature in the Sui and Tang dynasties and lute literature in the Tang Dynasty lies in the transfer of the name of "lute".Since then,great changes have taken place in the writing objects and writing methods of "lute literature".The second chapter studies the acceptance process of various types of "pipa" in the Central Plains civilization and the mentality of scholars."(Ruan Xian)Pipa" in Wei Jin,Southern Dynasties,Sui Tang Dynasty,is an important carrier of the spirit of scholars.As a result,a certain number of literary texts were produced,and in the Wei and Jin dynasties,the aesthetic patterns in their literary writing were established: the shape of the full moon,the sound suppression."(Ruan Xian)pipa" is not only the object of literary writing,but also the generation mode of literary text."(Ruan Xian)pipa" lost for a short time,but also to the literary writing left a nostalgia for the past."Qu Xiang pipa" and its shape descent,has experienced a great transformation: in the mentality of the philistines from as the voice of the exotic,to see it as a voice of decadent,again to the acceptance and absorption of tang dynasty,"Qu Xiang pipa"(" hu pipa ")and its shape descendants of literary writing,concentrated in the tang dynasty,north Korea,sui and tang dynasties,there are some.The literary writing of "Five-stringed Pipa" is less,but its writing style and aesthetic style are unique.The third chapter studies the interaction between the literati and the pipa musicians,which is the deep understanding and familiarity between the literati and the musicians.Before the Tang Dynasty,there were two kinds of communication between literati and pipa musicians: one was the unity of literati and musicians;the other was restricted by the boundary between literati and musicians,so it was difficult to have in-depth communication.Social intercourse was very common in the Tang Dynasty,which also promoted the writing of lute literature in the Tang Dynasty.The interaction between the literati and the pipa musicians first influenced the literati's narration of their life experiences and worries.Secondly,it promotes the literati to be familiar with lute playing techniques and lute tunes,so that the writing language has both aesthetic level and musicological level of accuracy.The second part is the main composition of "lute literature".That is,the context of the generation of "lute literature" and the text analysis of "lute literature".The fourth chapter is the generation situation of "Pipa Literature".The concept of "situation" comes from the theory of western situation semantics.Situation is divided into real situation and abstract situation.The abstract situation comes from the psychological world's reorganization of the real situation.Text is produced in abstract situations.Context explains the objective conditions of "pipa literature" and the internalization process of the objective conditions by the literati,which is the previous step of text generation.For example,the tribute of "Maximus" in the Tang Dynasty made the literati pay more attention to the craft of "pipa" components,thus giving rise to a large number of "Maximus" writings in "pipa literature" in the Tang Dynasty.The fifth chapter is the development and evolution of pipa lyric literature from Wei,Jin and Sui and Tang dynasties.Generally speaking,the scarcity of "Quxiang Pipa" in the Northern Dynasty,the rigid tendency of "Pipa Fu" in the Wei,Jin,Southern and Sui and Tang Dynasties,as well as the inconsistency between the writing objects and those in the Tang Dynasty,all these three factors together led to the difficulty of directly adopting the method of the previous generation of Pipa poetry and Fu in the Tang Dynasty.Even so,there are still a lot of nourishment for the lute poems and Fu before Tang Dynasty.It is more difficult to be reflected in the specific text writing,but it is more obvious in the inheritance of aesthetic paradigm and emotional theme.In addition,lute poetry and Fu of the Tang Dynasty widely absorbed the nourishment of the literature of the previous era.These include: taking the writing style of the palace style poetry as the object of reference and taking its color to write;"Longtou Song" as the source,the use of "throat" "Longshui" and other languages;Taking "listening to prostitutes at night" and "listening to neighboring prostitutes" as the object of the method,the artistic conception of listening to "pipa" while standing outside the court is taken.Chapter six is the study of pipa narrative literature.These include narratives in historical notes and narratives in narrative poems.Among them,the pipa narration in the historical materials notes refers to the text with literary color scattered in the historical materials and notes.Because the writing object of these texts is "pipa",and their writing has literary color and style,so they can be classified as the narrative prose of "pipa literature".The narrative poems in lute literature mainly compare Bai Juyi's "lute travel" with Yuan Zhen's "lute song" in order to show the pattern of "one line and three lines" in lute narration in this period.The characteristics of pipa narrative literature can be distilled into two colors: mystique and legend.The first chapter defines "lute literature" by stages according to the time clue,and makes an overall observation and summary of the characteristics of "lute literature" in each period.In the second chapter,according to the shape and structure of "pipa",the musical instrument referred to by it,its acceptance process in the mentality of scholars,and its corresponding literary book writing are studied.The third chapter is based on the literati's acceptance of "pipa",further studies the literati's interaction with "pipa" musicians,as well as the influence of interaction on the writing of "pipa literature".The first chapter is the definition of "lute literature" by stages,and the second and third chapters are the study of acceptance and influence.The second part is to study the composition of "Pipa Literature" : context and text.Situations can be divided into real and abstract situations according to their nature.Real situations can be divided into public situations,private situations and unclear boundaries.The resulting abstract context is the context in which literary texts are produced.The fifth and sixth chapters are text research.The fifth chapter is the study of the development and evolution of poetry and Fu in "Pipa Literature",and the sixth chapter is the study of Pipa narrative literature.The main research objects are "Pipa Literature" in historical notes and "Pipa Literature" in narrative poems.