The Study Of Literary Phenomena In 1943

This thesis analyzes the development of cultural generation mechanism in the occupied areas during the period of a number of major literary phenomenon visitation of all by the cultural ecology as the research perspective and focuses on the novel,poetry,drama,prose and other literature subjects in the liberated areas in 1943,and evaluates their aesthetic value and revaluation of the significance of literary history.It includes six chapters,the first three chapters for the first,the last three chapters for the second.Last for macro inspection,on the ecological literature focuses on the liberated areas,occupied areas,the three areas in the kmt-controlled area of their respective cultural ecological environment analyzes their opposite the influence of the existence of literature creators from the big social and cultural ecology and small writer living ecology to examine the text generated by internal and external factors from the economic,political,military,cultural,social,and other cultural ecological elements in next microcosmic exploration of aesthetics.The key to the liberated areas,the occupied areas,the three areas in the kmt-controlled area for authors in the area of individual analysis is to dig their works of aesthetic value,highlight a different works of “heterogeneity”and“pioneering”,pay attention to these works of times turn meaning,and then come up from the overall revaluation in 1943 in the whole process of the development of new literature in one hundred history of literature significance.The first chapter examines the cultural ecology of the liberated area in1943.With the construction of the base area of the liberated areas and the control of the overall situation by the Central Committee of the Communist Party of China headed by Mao Zedong,the literature of the liberated areas experienced a transition and evolution from free creation to serving the political purpose,from self-expression to emphasizing the function of ideological education,from the initial creation of a team to the construction of their own literary policy.The unified pattern of literature and politics was formed,and the cultural leadership was established.Under the guidance of the thought of Speech,the literary production system became more standardized.The diversity and complexity of literature tend to the revolution of "monism" because of “obedience”.The second chapter explores the cultural ecology of 1943 occupied area.Reveals the political slavery and cultural colonization of the Japanese puppet regime The ruling nature of.Different political stand gives rise to different literary trends.The high-pressure cultural control of the Japanese puppet made the subjugated Chinese sons and daughters have to make a difficult “literary recognition”of the Chinese nation in “speaking” and “not speaking”.The third chapter observes the cultural ecology of the Kuomintang-controlled areas in 1943.The Kuomintang's corrupt rule led to chaos.The people's livelihood was in danger due to inflation,and the cultural censorship caused the chaos of literature and art.Under the force of the difficult situation and life,people began to face up to the harsh reality,examine the personal historical choice,and make a deep search for the future of the nation,the national situation and the personal future.The fourth chapter discusses the historical process of“popularization”of literature in the liberated areas under the guidance of the thought of Speech and the actual achievements of literature creation in the liberated areas.Focusing on the analysis of Zhao Shuli as the representative of the liberated area writers' works style of “love”and “Chinese style”.Explore the historical significance of “New Yangko Movement” and “Reform of Old Drama”.The fifth chapter studies the literary creation in the occupied areas under the cruel rule of the Japanese puppet and the cultural pressure.On the one hand,it seeks the national confirmation of self-identity to the local area.On the other hand,it seeks the two aesthetic dimensions of self-adaptation of life,temporary sensory masturbation and spiritual relief.Especially,the authors focuses on the “new changes of The Times” in the creation of rural novels in 1943,and reevaluates the forgotten local writers during Shanghai occupied area,such as Zhang Ailing,Su Qing in the theme of the development,and seeks for the innovation of literary aesthetics.Also,full attention should be given to the“heterogeneity”of novels and dramas in this period.The sixth chapter explores the outstanding achievements of literature in the Guomintang-controlled areas,such as novels,poems,essays and dramas.It not only pays attention to the literary transformation of old masters such as Guo Moruo,Mao Dun,Ba Jin,Lao She,Cao Yu and Shen Congwen in the 1940 s,especially in 1943,but also pays attention to the phenomenon of multiple literary exploration formed by them and new writers.In particular,the individual attention was given to Luling,Hsu Yu,Feng Zhi,Wu Zuguang,Mu Dan and Shen Congwen,who made aesthetic leaps in the literature of this period,so as to illuminate the historical high point of literary creation in 1943.Based on the study of literary phenomena in the liberated area,the occupied area and the kuomintang-controlled area,the family of knot has an objective perspective on the three different “cultural ecological regions”,and has a taste of the different literary orientation and aesthetic style of the works of the writers in each region.Although the writers in each region created different themes,but presented the literary development change of homogeneous significance in the literary development of 1943.That is,they all went through their own works,in this year of the development of literature in the history of the kind of elegant and vulgar confrontation,no traffic single line trending to give correction and beyond.It has realized the historical leap of literature development from “coexistence of elegance and vulgarity” to “transcending elegance and vulgarity”,from “old and new incompatible” to “complementing each other”.Looking through the great literary creation of 1943,we can find that the real maturity of the development of new literature in one hundred years lies in 1943.The“vernacular”literary revolution advocated by the new literary advocates of the 1920 s did not come to fruition until 1943.To sum up,in this paper,on the basis of a large number of the first data,and the research achievements of generations of scholars,in 1943 through an abstract research literature phenomenon,to explore the “specialties” for the literary creation of “special phenomenon”,we will be highlighted in the revaluation in the whole of the 20 th century literature of 1943 years of history of literature significance.