From Literature To Images

Cultural proliferation belongs to the category of communication science.Proliferation in cultural communication includes both the colonization of the original culture and the sublimation of the original culture.This article focuses on Su Shi's Chibi Fu,discussing the mutual interpretation of text,calligraphy,and painting during the dissemination of Chibi Fu,focusing on the acceptance and proliferation of Chibi Fu calligraphy and painting,focusing on the new cultural meaning and value derived from the dissemination process,and then Explore the process and law of canonization of literary and artistic works.Dongpo visited Huangzhou Chibi nine times,leaving behind the classic Chibi Fu.He wrote Chibi Fu nearly 20 times in his life,and most of them are gifts to friends.The works are preserved in various forms,including ink marks,inscriptions,and inscriptions.In the history,there are many times that Dongpo wrote Chibi Fu for the same friend several times.Su Shi's book "Front and Back Chibi Fu and Postscript" included in "Wanxiangtang Su Tie" and "Jing Su Yuan Tie" is an example.Because most of Su Shi's writings were destroyed during the Chongning period,only one running script of "Chibi Fu" has been preserved,and both "Chibi Fu" and "Hou Chibi Fu" have been lost.The ink mark of Su Shi's "Chibi Fu" currently in the Palace Museum in Taipei should have been remounted by Liang Qingbiao before entering the inner palace,and Wen Peng was not Wen Zhengming who added the book before the ink roll.The copy of Su Shi's "Chibi Fu" included in "Yu Qing Zhai Fa Tie" is an undamaged version of Su Shi's "Chibi Fu",which was later collected by Huang Lüchang.From emperors to literati,most of them copied or reprinted Chibi Fu.The two emperors of the Southern Song Dynasty once wrote the "Post Chibi Fu".Their admiration of "Chibi Fu" prompted the canonization of the highly influential "Chibi Fu".During the Jin Dynasty at the same time as the Southern Song Dynasty and later in the Yuan Dynasty,literati admired Su Shi,and there were many who studied Su Shi's poetry,calligraphy and painting.In the early Ming Dynasty,because the emperors admired the NeoConfucianism of Cheng and Zhu,from rulers to literati all forgot about Su Shi,but in the middle and late periods,there were many scholars who wrote Chibi and Two Fu.The emperors of the Qing Dynasty also had re-books on Su Shi's Fu and copying of the second Fu's works of other people's books.The reason is that apart from political orientation,it may be due to the appreciation of Su Shi,or the preference for "Chibi Fu" written by others.In the Qing Dynasty,under the guidance of the emperors Chong Dong and Chong Zhao,Su Shi's calligraphy did not lead the trend of the times,but the influence of Su Shu has always existed,and literati also had many books and two fus."Chibi Futu" played an important role in the spread of Chibi Fu.In the article,"Chibi Futu" is divided into the panoramic segmented "Chibi Futu" and the single-themed "Chibi Futu".Due to the different literary nature of Chibi Fu,the emphasis of "Front and Back Chibi Fu Tu" is also different.The later "Chibi Fu Tu" was produced on the basis of a full understanding of the two Fu.The scenes described in the pre-fu essays are relatively simple,and most of them are depictions of Su Zi and the guest on the river.Therefore,the "Front Chibi Fu Tu" mostly revolves around "the position of a reed in the vertical direction,and the lingThe "Hou Chi Bi Fu" unfolds.The story of "Post Chibi Fu" is stronger than that of the former Fu,highlighting character activities and story plots.Therefore,"Post Chibi Fu" is often handed down in long scrolls.Literati are keen to use "Chibi Fu" as the mother.The title of the creation of "Chibi Futu",whether it was in the Ming Dynasty,which gradually tended to stylize the composition,or the Qing Dynasty,who took the creation of "Chibi Futu" as a literati's interest,as well as the different purposes of the literati in the Song and Yuan dynasties,the two Fu was frequently in the form of pictures and texts.Appeared in the writings of literati in the past,which promoted the canonization of "Chibi Fu".There are many inscriptions and postscripts in "Chibi Futu".The painter uses "Chibi Fu" as the theme to create "Chibi Futu",and the recipient creates a literary work with the feelings of watching "Chibi Futu",and uses calligraphy.The way is inscribed on the screen,forming the interaction of calligraphy and painting.In a complete painting,the inscription and postscript are generated based on images and presented through calligraphy.The interaction between the three lays the foundation for the canonization of the work.From a literary point of view,literati borrowed this special style of writing to create a poem titled "Chibi Futu",trying to carry out emotional exchanges and spiritual dialogue with Su Shi around "Chibi Futu".From an artistic point of view,the picture and the text blend and set off each other,which is an extension of the picture,and finally jointly created a complete work.It is a presentation of the multiple meanings of the two fu essays,and interprets the "Chibi Fu" in the image sense."The process of canonization.The depiction of Dongpo's image is the pursuit of Dongpo's spirit,and it presents the appearance of Dongpo in the minds of literati.In "Chibi Futu",the image of Dongpo has been upgraded to a cultural symbol,but Dongpo Fengshen can be seen in a few strokes.The true image of Dongpo has gradually blurred over time,but the image of Dongpo in the painting has gradually become symbolic and has become a symbol of the spirit of Chinese literati.The rise and prosperity of literati seal cutting in the Ming and Qing dynasties led to a change in the identity of the subject of seal cutting creation,and literati used seal cutting to revitalize.Many literati in the Ming Dynasty took the Chinese language of "Chibi Fu" into the seal,which injected new cultural connotations into the seal and made the independence of seal cutting stand out.In the Qing Dynasty,not only the words "Chibi Fu" were selected for the content of the seal,but also the "Chibi Fu" was engraved on the whole body of the seal.The decorations in the study are also mostly engraved with the theme of Dongpo and friends boating,and the choice of materials tends to be diverse.Not limited to stone,there are many phenomena of "Chibi Fu" engraved on jade,stone,wood,bamboo and other materials,and "Chibi Fu".This fully shows the strong Dongpo complex and Chibi preference of literati seal carvers.The admiration of Su Shi is not just a cultural phenomenon unique to China.Japanese and Korean scholars also admire Su Shi.The Japanese literati's acceptance of the Second Fu was mainly manifested in poems titled "Chibi Futu",held at the Chibi Meeting and Shousu Meeting,and painted "Chibi Futu".Their acceptance of "Chibi Fu" may be due to the Zen in the Fu.Moreover,their understanding of Su Shi is not limited to formal imitation.When the "Shousu Meeting" is held,some Chinese and Japanese paintings and calligraphy works with the theme of "Red Cliff Fu" are often displayed.On the basis of inheriting Chinese painting,Japan blended with its own culture,presenting similar but different pictures.They painted "Chibi Fu Tu" not only to express their admiration for Su Shi and their yearning for the life of ancient Chinese literati,but also pay more attention to depicting historical war scenes.South Korea's acceptance of Erfu is manifested in the creation of poems based on "Chibi Fu".Their acceptance of Chibi Erfu influenced the literary development of the Joseon Dynasty and gave birth to "Chibi Literature".Literati may use the words and sentences in the second prose in their poems,or quote the original sentence,or imitate the second prose.Li Chao's literati both inherited and developed the Second Fu,and endowed them under their own cultural ecology.The new connotation of Erfu,and on the basis of accepting the idea of Erfu,more literary works are derived.Korean literati followed Su Shi's chibi tour,which is also their way of accepting "Chibi Fu"."It is planned to use the Han River as Chibi".The Chibi Tour at Jiwang in July and Jiwang in October made Korean scholars pay more attention to Dongpo's "Chibi Fu",and the public also formed the custom of Chibi Tour."Chibi Fu" has been continuously endowed with new cultural values in the process of spreading,which affects the development of literature and art at home and abroad.Literati used books,paintings,writings and other methods to add new cultural significance and value to the two fus themselves.From literature to calligraphy,painting,and the second creation of inscriptions,the precipitation and accumulation of time has resulted in the canonization of "Chibi Fu".This process fully embodies the cultural proliferation of "Chibi Fu".