Study On Fa Shishan's Prose

Although Fa Shishan's career life was not smooth,his writings were equal and diverse,which included prose collection "Cun Su Tang Collection" and "Cun Su Tang Continuation",poem collection "Cun Su Tang Poetry Collection Record" "Cun Su Tang Poetry Second Collection",comment on poetry "Wu Men Poetry Notes" and notes "Tao Lu Sketches" and "Qing Mi Shu Wen".Fa Shishan made friends with scholars and his literary fame was well-known,therefore his friends published his poetry and anthology.Among them,the four volumes of the prose collection "Cun Su Tang Collection" were printed in the 12 th year of Jiaqing(1807).Since the 21 st century,academic research on Fa Shishan has made certain achievements,the number of related works has increased,and research perspectives have gradually diversified.However,there is a great difference among the emphasis on various types of stylistic studies of Fa Shishan,and the research proportion is seriously unbalanced.Specifically,the research results of his poems and poetic works are quite abundant,but the ones of his prose works have not received the due attention of the academic community for a long time.Even if his prose is mentioned in some academic articles,it is basically just a citation,which are only the words and sentences of "Cun Su Tang Collection" "Cun Su Tang Continuation" used to expound some certain points of view of the researcher.The current research is neither from the perspective of prose research,nor from the detailed research on prose texts with overall prose history view.In view of this,this article focuses on the Fa Shishan's prose collection "Cun Su Tang Collection" "Cun Su Tang Continuation" and other supplementary proses from some collected works,more than 260 articles in total,with text analysis and various stylistic writing traditions and characteristics.Emphasis will be given to the stylistics as follows: argumentation,preface,postscripts,narration and other stylistic forms.The dissertation is in an attempt to deeply explore the characteristics and achievements of Fa Shishan's prose ideological content,creative methods and artistic style.Besides that,put his prose works under the crisscross aesthetic vision of the combination of space and time,maximizing the creative charm of his prose and giving it its literary status in the history of prose.The thesis is composed of four parts: Chapter One is "Introduction",Chapter Two is "The Stylistic Theory of Fa Shishan's Prose",Chapter Three is "The Separation Theory of Fa Shishan's Prose" and Chapter Four is "The Status of Fa Shishan's Prose".The beginning part of the dissertation is the general information,which includes the studying background,studying purpose,studying significance,studying methods,literature review,and structural arrangement of the dissertation.The second chapter is mainly based on the four styles of Fa Shishan's proses,and specifically expounds the conceptual connotation and basic characteristics of Chinese ancient theory prose,preface prose,postscript prose and memorial prose.This question is the basic work of the research of this thesis,because only when these questions are clarified,can we conduct a separate study on French and Shan prose in order to deepen the research of French and Shan prose.In this chapter,this article strives to make a more accurate definition of the connotation and extension of each style concept of the four styles of ancient Chinese prose,make a systematic review of the origins of the four styles,and they are as deep as possible.By revealing its basic characteristics,and then linking to the use of these styles by Fa Shishan,laid a solid foundation for the split study of Fa Shishan's prose in Chapter 3.The third chapter of the thesis is the split study of French prose,which is the center of this thesis.Specifically divided into the following four sections:The first section of the thesis discusses the argumentation of Fa Shishan.Readers can clearly feel writer's pragmatic claim,integrity for the people,faith inspired by Heaven,personal role importance,both talent and virtue advocating.The argumentation of Fa Shishan also has distinctive speculative characteristics different from others in terms of ideological connotation,such as his brand-new "Gentleman and Villain Discrimination" and his brand-new exclusive and enlightening evaluation of Di Renjie and Er Zhurong.Regarding the artistic features of his argumentation,this article mainly discusses from the aspects of its constitutional arrangement and language art.It is believed that in terms of the arrangement of the constitution,its argument is appropriate,fair review,great layout and clever closing.All these embody the beauty of the art of stylization.At the same time,the language of his argumentation has distinctive artistic characters: brief but thorough,tortuous but accurate,combine with parallel prose and prose.The second section is about Fa Shishan's preface prose.The article starts with the stylistic features of traditional preface prose,grasps the general status of Fa Shishan preface prose from the perspective of historical context and stylistic development,and then discusses the aspects of preface type from varieties,stylistic functions,performance techniques,composition principles,and succession relations.First of all,there are various types of his preface prose,including self-preface,other-preface,collection-preface,gift-preface and birthday-preface.Secondly,the article argues that Fa Shishan's preface prose fully exerts various functions of this style: elaborating introduction,justifying,principles,friendship,subject and literature value.It also uses a variety of expression techniques and has excellent presentations in terms of explanation,argumentation,narrative and description.The article also believes that Fa Shishan expressing his concern for the national culture and education in preface,and expounds his more advanced talents view from the aspects of "Scholar with Unrecognizing",talent standards,human conducts and family influences.The preface of Fa Shishan achieves high artistic achievements in language refinement,which is mainly reflected in the three aspects of rhythm,code,and antithesis.The third section is about Fa Shishan's postscripts prose.The paper first discusses the basic characteristics of such styles of Fa Shishan with the general characteristics of postscripts style prose,and gets the conclusion that the length is short and concise,the language is lively,natural and changeable.Because of the writer being good at painting and calligraphy,his postscripts prose works are mostly on both.His postscripts prose is inherited from Su Shi and Huang Tingjian of Song Dynasty with elegant taste and rich literature.In addition,it has a very high ideological and cultural value,which mainly includes the value of academic historical materials,the value of artistic appreciation and the value of ideological inspiration.This chapter also discusses the latter part prose of Fa Shishan.In order to distinguish it from the postscript,the article also compares the two styles.It also analyzes his latter part prose,and believes that it embodies the strong consciousness of historians and questions of writer.The fourth section focuses on the narration of writer.In the process of combing the characteristics of the developments and evolutions of the writing style of the past dynasties,the article focuses on the different characteristics of writing styles in different eras,and regards it as an important reference for examining the characteristics of Fa Shishan's writing style prose.This paper focuses on two kinds of narration: the calligraphy-painting-image narration and religion-hall-pavilion-garden narration.Get the conclusion: Fa Shishan's narration being more inclined to learn Song Dynasty creative methods,there being many direct descriptions of painting-calligraphy-pavilions,focusing on elucidating his own views,expressing his own minds or explaining ideas by means of interpretation,describing scenes that are rich in poetry and painting,or reasoning narratives with classics.The author explores and innovates them in various ways,so that his style of prose created a new height of thought and art at the time.The fourth and last chapter of the thesis discusses the historical position of the writer's prose from three dimensions: its position in the history of Qing Dynasty prose,the Mongolian writers' group and Chinese prose history.It is not only placed in the Qing Dynasty Qian Jia period prose writing overall style for horizontal comparison,but also placed in the history of Chinese ancient prose development for vertical study.This paper tries to probe into the role and influence of Fa Shishan as a minority writer in his prose creation,so as to obtain his due position in the history of prose writing.In addition,combining with the characteristics of Mongolian creative groups in the period of Qianjia in the Qing Dynasty,the relations between Manchu and Mongolia in the middle of the Qing Dynasty,and the official system of the Mongolian Eight Banners,this paper tries to explore the role of the identity of the Mongolian Eight Banners in Fa Shan's Chinese writing.This chapter also discusses the principles of Fashanshan composition and the inheritance of the writing techniques of the predecessors,including the study of Han Yu,Ouyang Xiu,Su Xun,Gui Youguang,Li Deyu,Quan Deyu and so on.It is believed that Fashanshan is "pure and elegant" in the prose style,and can still be converted to many teachers,not adhering to one style,and become a whole by itself.Prose based on law has its own style,including natural,ancient and innovative,simple and bright,strong and broad,old,deep elegance,true feelings,words with substance and other characteristics,but also strive to dialectically treat the art of writing,pay attention to the selection of "Wen" and stone characters and other issues.These traits were invaluable in the Qian Jia era in which he lived.Through the comprehensive and multi-angled systematic analysis and in-depth study of Fa Shishan's prose in the above chapters,we can completely think that: Fa Shishan is indeed a creation in the field of prose in the middle of the Qing Dynasty.His prose works are not only in ethnic minorities writer's prose works are high-level works,even if they are placed in the prose creation group of Chinese writers,they are also remarkable.Fa Shishan's prose not only inherits from the merits of previous writers,but also innovates,deducting a unique style of writing which is concise but not simple,old but not uninteresting,making it stand out in the history of Chinese prose.The epilogue summarizes the whole text.Through the above chapters to Fa Shi Shan prose to system analysis and in-depth study of all-round,multi-angle,can draw the conclusion that Fa Shi Shan's position in the middle of Qing dynasty prose creation of truly,his prose works not only in the prose works of ethnic minority writers are excellent work,even in han writers of prose creation group is also worth noting.Fa shishan's prose not only inherits the advantages of the previous writers,but also has a unique style of writing,which is simple but not simple,old but not boring,which makes it stand out in the history of Chinese prose.