The Study On Tsinghua Bamboo Slips Between "Poetry" And "Sao"

The continuous emergence of unearthed documents has promoted the research of the book of songs and Chu Ci into a new era.This paper takes the "double evidence method" advocated by Mr.Wang Guowei as the guide,focuses on Tsinghua slips and relevant unearthed documents,discusses and combs some problems in the book of songs and Chu Ci,and obtains some new cognition.The upper part: Centered on the “poetry” literature of Tsinghua bamboo slips,this paper probes into the oral tradition of early Chinese poetry from three aspects: oral creation,oral circulation and oral performance.The oral tradition played an important role in the creation,circulation and performance of early Chinese poetry,and even affected the formation of written texts;From the “poetry” literature of Tsinghua bamboo slips,the poetry of the pre Qin Dynasty has historical characteristics,which is reflected in the value of historical materials,the spirit of epic and the meaning of history and politics;This paper re explores the classification basis of“wind”,“elegance” and “ode” in the book of songs.Tsinghua bamboo slips “poetry” documents show that “wind ”should be the text of “music and song”,Ya belongs to the text of “epic”,and ode is the text of “dance appearance”;This paper re examines the era,author and circulation of the preface to poetry.The preface to poetry is not written by one person at a time.It may have originated in the middle and late Western Zhou Dynasty.After continuous development and evolution,its main part may finally emerge from the time of Zixia;This paper discusses the evolution of the function and form of the study of poetry in the late Western Zhou Dynasty.The study of poetry in the late Western Zhou Dynasty changed from serving ritual and music ceremony to political satire and admonition,which led to a series of new changes in the form of the study of poetry;Based on the Tsinghua bamboo slips Qiye,this paper discusses the generation age,type attribution and warning thought of Yan’s poems in the book of songs;Taking the “poetry” literature of Tsinghua bamboo slips as the clue,this paper probes into the characteristics of the study of poetry in Chu in the pre-Qin period,and the arrangement of the“poetry” literature of Tsinghua bamboo slips,or the reflection of Chu’s “teaching ‘poetry’,guiding and showing virtue,and brightening its ambition”;This paper explores the author and ability of the book and its historical fate with the Western Zhou Dynasty based on the Tsinghua bamboo slips “Golden Rope”.The author of the book is likely to be King Wen of Zhou.King Wen of Zhou wrote the book “Owl” to “show weakness” to the Shang Dynasty in order to hide one’s strength and bide one’s time,while Zhou Gongyi’s book “Owl” was written in order to save the chaos of the Zhou Dynasty,It can be seen that the book is closely related to the historical fate of the Western Zhou Dynasty;Based on the Tsinghua bamboo slips “She Command”,this paper reinterprets the poetic purport of “Cao Feng · Turtle Dove” praising the emperor of Zhou for his consistent “dignity and virtue”.The under part: Centered on the “poetry” literature of Tsinghua bamboo slips,this paper discusses the influence of Chu’s Poetics on Qu Yuan’s Fu.By comprehensively investigating the literature of Tsinghua bamboo slips and Qu Yuan’s Fu,it can be found that Qu Yuan was not only influenced by the northern poetics,but also deeply influenced by Chu’s poetics.These influences are reflected in the ideological spirit,creative content and genre orientation of Qu Yuan’s Fu;This paper discusses the influence of Chu Di’s Poetics on Qu Yuan’s thought of “beautiful politics”.The brief “poetry” literature of Tsinghua University shows that the tradition of Chu Di’s poetics contains profound thought of “beautiful politics”,and its connotation includes the thought of “sage king”,“virtuous minister” and “the combination of two beauties”.Qu Yuan’s thought of “beautiful politics” is the same as this;This paper discusses the writing of “Yingdu”in Qu Yuan’s Fu,explains the consciousness of “seeking roots”,the origin of the ideal of“beautiful politics” and the feeling of “falling in love with Yingdu” in Qu Yuan’s Fu,and the problem of conceiving “Yingdu”;Based on the clue of Tsinghua bamboo slips “the Qin dance of the Duke of Zhou”,this paper examines and distinguishes the number of titles,the nature of the text and the creation intention of the nine songs.“The nine songs” should be a complete sacrificial ode composed of two parts,which is divided into the old nine songs organized by Qu Yuan and the new nine songs created by Qu Yuan.The nine songs is equivalent to “the ode to Chu”,which may be the sacrificial ode created by Qu Yuan for the king of Chu to dominate the Central Plains,unify the world and practice the throne of the son of heaven;Centering on the Tsinghua bamboo slips Bao Xun,this paper interprets the meaning of “Jie Zhong” in Li Sao,discusses the reasons for the formation of the images of Yu and Wu Zixu in Chu Ci,and explores the source of the problem of “should uphold Ji De” in Tianwen;Through the combination of Qinghua Jane Bao Xun and Qu Yuan’s Fu,this paper examines Qu Yuan’s “middle way” spirit,which is mainly manifested as the “middle right” spirit.The “middle right” spirit shines in Qu Yuan’s “inner beauty of personality”,is contained in Qu Yuan’s “political ideal” and is fused in Qu Yuan’s “value concept”.